‘Ship / Wrecked: Why DC is Better for TV ‘Shippers Than Marvel

Posted by Jaime

Editor’s Note: Everyone welcome Jaime Vazquez to Head Over Feels! Jaime is a stay-at-home dad, a long-time comic book nerd, and a huge fan of reading too much into TV shows. (Follow him on Twitter, or check out his interview with Community creator Dan Harmon here.)

The problem with being a TV ‘shipper in general is this: if a show’s writers are any good, they’ll come up with clever ways to show you that your favorite two characters are perfect together, and immediately follow that up with compelling reasons to keep them apart. Good writers make us root for amazing couples while simultaneously reminding us they can never be together. Even when they tell us the smart money is on the poison, they get us to bet on Romeo and Juliet.

In the world of TV superheroes, it’s no different: both Marvel’s and DC’s shows are filled with heart-meltingly good, yet doomed, romances. Jessica Jones and Luke Cage open up to each other, then have surprisingly hot superhero sex, but can never be together after he learns the truth of what she did while under Kilgrave’s spell. (Although if they did stay together, the show would have to move from Netflix to Cinemax pretty quickly.) Marvel’s Agent Carter has pitch-perfect flirty banter with Wilkes, who quickly becomes a ghost with no physical form. Even though we see how happy The Flash is with Patty Spivot, he cares too much to put her at risk, and has to break up with her. Perfect, but ill-fated loves: those are the rules of TV romance, and it’s the belief in those rules that allows us to forgive the writers each week, even if Barry really belongs with Patty. Because he does. (I won’t even go into that last kiss of theirs.)

It’s a funny thing, though, because Marvel and DC play by these rules in very different ways, ultimately making it a lot easier to be a ‘shipper on the DC side. In the DC TV universe, couples are granted brief happiness before our hearts are torn in two by their splitting up. In the Marvel TV universe, there’s no such thing as relationships that work, and we’re left with star-crossed lovers who are as miserable about their love lives as we are. (As others have noted, this is especially true on Agents of S.H.I.E.L.D.)

Don’t get me wrong: both DC and Marvel TV give us plenty of opportunities to yell at our screens over romances that should happen but don’t. I’ll never forget the moment when Simmons was gobbled up into another dimension moments after agreeing to go to dinner with Fitz, or the Season 2 finale of Arrow revealing that Olly confessing his love to Felicity was a ruse (my wife stood up at that very moment, declaring as she left the room, “That’s it. This show is dead to me now.”).

But here’s where the writers of DC shows give us more compelling romances to watch: even when we know a relationship is headed for doom, they give the characters–and us watching–moments of happiness before things go haywire. Those brief respites of love make it easy for us to see why they care for each other, and give us ‘shippers moments to melt. On the Marvel side, it’s all build-up to a tragedy; on the DC side, there’s always an intermission of happiness before the inevitable end.

An interesting example is how both The Flash and Agents of S.H.I.E.L.D. had their romantic date scenes turn out this season. On The Flash: although his first date with Patty Spivot went comically bad, Barry’s temporary blindness somehow endeared him to her. Her figuring out that he was trying to hide his blindness made for a clever meet-cute, and by the end of the episode, I was more than ready for her to be the woman in his life (and honestly, Iris’s selfishness had really been bugging me by that point).

Compare that date scene with the date that Fitz set up for Simmons this year on Agents of S.H.I.E.L.D.: their evening is marred by Simmons’ PTSD, and is awkward and sad from start to finish. Neither Fitz nor Simmons can acknowledge the elephants in the room: they care for each other, but it’s never going to work. The night ends in tears.

Like I said, I get the rules: neither couple can be together. The Flash and Patty eventually had their relationship end tragically, and Fitz and Simmons had to contend with her ex from another planet. But the quick few episodes we got of Barry and Patty together, as a couple, were so freaking cute that it was easier to get invested. She loved his wit, and he loved her gumption. (In contrast, it’s been two and a half years, and I’m still not certain what Fitz and Simmons like about each other. Even after this week’s declaration that they’re “starting over” in their relationship, if history tells us anything, it’s that it’s going to be a while before we see them kiss again.)

Some other stray examples worth pondering:

  • Roy and Thea on Arrow weren’t together long, but didn’t we all love how they rescued each other?
  • It was pretty obvious that Ronnie and Caitlin on The Flash weren’t going to be able to stay together for long after they resurrected him, but we got to see them reunited, and reconnecting.
  • An odd DC outlier: Supergirl has been friend-zoned by Jimmy Olsen. Nonetheless, my fingers are crossed.
  • Diggle and Lila are cute new parents. I know something bad is bound to happen to them soon, and even though I know that, I’m still going to curse at my TV when it does.
  • Hunter and Mockingbird from S.H.I.E.L.D. are getting their own show next year. I’m rooting for them as a couple (and they are married, after all), but their chemistry seems to rely on violence. We’re likely to get more Mr. and Mrs. Smith from their show than When Harry Met Sally. I’m not holding out out a lot of hope for getting any feels from them.
  • May and her ex-husband might have shown a spark to rekindle their romance…except for that whole him-being-a-serial-killing-monster thing.
  • An odd Marvel outlier: Wilson Fisk and Vanessa (from Daredevil) weaved a romantic origin story for the Kingpin. Their relationship, while dark and violent, feels authentic–she accepts him for who he is, and he is vulnerable to her only. As a show, Daredevil did an exceptional job letting their relationship bloom, getting the audience invested in them as they got invested in each other.

In the end, I’ll keep watching both universes, and I’ll be a relentless ‘shipper on both sides regardless of how tragically their relationships end. I’ll keep watching and ‘shipping, partly because I’m a geek, but mostly because it’s somehow comforting to think that even though we don’t get to live in a world where people have superpowers, we do get to live in a world where love can last (and doesn’t have to end tragically). I like to think we got the better end of the deal.

The Top 20 Television Moments of 2015 – Part One


Posted by Kim and Sage

Another year has passed and again, Head Over Feels has spent most of it parked in front of a screen of some kind. Regrets are for wimps.

Since 2015 began, we’ve been bookmarking all the television events that have made us weep, cheer, and clutch our pearls like the innocent flowers that we are. And as we get ready to welcome all the entertainment 2016 has to offer, the time has come to pay tribute to 20 unforgettable moments from this year in TV.

1) The White Party – Empire


Empire never does anything small, so I’d figured that Jamal’s eventual coming out wouldn’t be a quiet affair. And yet, how could I have been prepared for his barrier-smashing performance at the label’s annual White Party in “The Lyon’s Roar”? Empire drew praise and jeers in its first season for its portrayal of homophobia in black culture and the unofficial “don’t ask, don’t tell” policy in the mainstream music industry. I’m not qualified to offer comment on the show’s socio-political responsibilities in these areas, but I can tell you about the impact this storyline had on me as an individual viewer.

First of all, the scene is visually stunning, from the mansion setting to the fabulous achromatic costuming. (To Most Handsome Young Man nominee Jussie Smollett, who looks quite delicious, as per usual.) Empire has this great tradition of closing up the distance between musicians and audiences, so that every performance scene looks like a house party instead of a concert. I love that I can hear the guests singing along to the track. I love that I can read the reactions on individual faces when Jamal changes his shitty-ass dad’s lyric to “this the kind of song that makes a man love a man.” I love Jamal’s joyful defiance, and the way he turns directly to Lucious to look him in the face while he stands up and claims his own identity. And Cookie loves it too. The mother/son relationship between these two was the heart of season one to me, and she is incandescent with pride in this scene. Remember that Lucious wrote this song for CookieWith their marriage in the shitter (because Lucious is a GARBAGE PERSON), Jamal gives “You’re So Beautiful” welcome new meaning for the person who never stopped telling him it was okay to be who he was. He gave the world a show. And the world didn’t end. –Sage

2) Peggy and Stan Are in Love – Mad Men


Never in my wildest dreams did I think that Mad Men would give us such an overtly romantic ending for my queen Peggy Olson. I had ALWAYS shipped Peggy and Stan but I had made my peace that it was never going to happen on the show. No one got to be happy on Mad Men! EVER.  So imagine my surprise and delight when Peggy and Stan finally figured their shit out in “Person to Person”.  I watched the finale in the wee hours of the morning after I came home from a two-show day and I started screaming at 3 AM when Stan confessed his love in the most perfectly Stan and Peggy way…over the phone. Their phone calls were one of the hallmarks of their relationship over the course of the series, so it was only fitting that it happened this way.

Peggy: I mean, I’m going to stay.
Stan: Good, because I didn’t want you to leave.
Peggy: Then why didn’t you just say that?
Stan: Because every time I’m face to face with you, I want to strangle you. And then I miss you when I go away. And I miss you and I call you on the phone and I get the person I want to talk to.
Peggy: That’s not true.
Stan: Yeah, well, I don’t know what it is, but when I’m standing in front of you, I bring out something terrible. I think about how you came into my life and how you drove me crazy and now I– I don’t even know what to do with myself because all I want to do is be with you.
Peggy: What? What did you just say?
Stan: I want to be with you. I’m in love with you.
Peggy: What?
Stan: I love you, Peggy.
Peggy: Oh, my God. That’s what I thought you said.

My heart dropped when it seemed that Peggy was about to reject Stan. Because of course she wasn’t in love with him, right? I mean we all knew she was in love with him, but did SHE? Watching her figure out that she was in love with him was a MARVEL. What a performance by Elisabeth Moss. She goes from disbelief to confusion to sudden realization in a matter of moments and it’s beautiful.

Peggy: I– I– I don’t know what to say. Whew. I feel like I can’t breathe almost. I mean, I don’t even think about you. Uh I mean, I do all the time, because you’re there. (touches her heart) And you’re here. And you make everything okay. You always do. No matter what. I mean, I must be. Because you’re always right. I can’t believe this. I think I’m in love with you, too. I really do. Stan? Are you there? (silence) Stan?

ME: OH NO STAN DID YOU REALLY HANG UP HOW COULD YOU MISS THIS WHY ARE YOU DOING THIS TO ME SHOW? Cue Stan appearing in Peggy’s doorway, out of breath because he SPRINTED to her office as soon as he realized where this was going. Is this Mad Men or my favorite romantic comedy?

Stan: What were you saying?
Peggy: I love you.

All my tears. –Kim

3) The Diner Fight – Agent Carter

agent 2 agent
I love that we live in a world where Agent Carter exists. I love that it’s a show run by women and I love Peggy Carter (and Hayley Atwell) for being an icon of femininity and badassery. There are definitely more emotional Agent Carter moments we could have picked for this list. Peggy’s “I know my value” speech was instantly iconic. If you didn’t cry when Peggy laid Steve Rogers to rest by pouring out the vial of his blood on the Brooklyn Bridge, I question your humanity. But we chose the diner fight scene because it’s just so much FUN. It’s stylistically gorgeous, with the bright colors of the diner and the big band music roaring in the background. It’s hilarious with Jarvis bumbling in the background while Peggy singlehandedly takes down all the men. And it just serves as a reminder that Peggy Carter is not to be trifled with. Harrison Ford once said that Indiana Jones wasn’t the BEST fighter but he was the SMARTEST fighter because he used what was around him to serve to his advantage. That is exactly what I see here, especially in the way Peggy uses that plate as the world’s deadliest frisbee. And she does it all in a gorgeous period suit because even when she is kicking ass, Peggy Carter is a LADY above all things. –Kim

4) “You’re a stone cold bitch.” – The Mindy Project

stone cold bitch stone cold bitch 2
I have to confess something. I’ve fallen SUPER behind on The Mindy Project.  And the things I have heard about the episodes post-Leo’s birth don’t make me want to catch up anytime soon. But this moment? This is perfection. Dramatic births in unconventional situations is a sitcom staple and Mindy plays the stereotype to the max. There is absolutely no way Danny would have ever been able to get to her on a stalled subway car but we forgive it because we don’t watch television for reality. We watch for the way our hearts swell when Danny makes it just in time for the birth of his son. We watch TV for the way Danny calms a panicked Mindy because NO ONE wants their lady parts exposed on a dirty subway car, much less push a baby out there. I love how Danny knows EXACTLY what to say to her to get her to calm down and believe in herself. He may be an ass some of the time, but he always comes through. That’s why we watch. Who knew that being called a “stone cold bitch” could be the most romantic words in the universe? –Kim

5) Stevie Wonder Carpool Karaoke – The Late Late Show

called to say
Anyone worth hanging out with knows how to properly jam in the car.

Maybe I’ve seen American Graffiti too many times, but isn’t there a beautiful sense of freedom that comes with being behind the wheel of a car? The Late Late Show‘s Carpool Karaoke series leverages the comforting familiarity of the road trip singalong, a “the stars, they’re just like us!” sense of bonding, and host James Corden’s authentic fangirling and driver’s seat chair-dancing. From the very first edition of this sketch (with a totally game Mariah Carey, thank you), it’s been a favorite of our blog and the bit with the most viral traction. Knowing us, you perhaps you expected to see One Direction’s Carpool Karaoke on this list. But even a choreographed performance of morning wood anthem “No Control” couldn’t quite steal the slot from Stevie Wonder. Because he is Stevie Wonder, as James’s wife confirmed firsthand.

A late night host has every opportunity I’ve ever dreamed of to make lasting memories with cool celebrities. But I think even James would admit that it’s going to be real hard to top sitting in a car with Stevie Wonder and listening to him sing “I just called to say James loves you…” to the woman he married. (When James cries, I cry.) The 10+ minute bit includes James and Stevie harmonizing on the artist’s ridiculous catalog (“Superstition,” “Isn’t She Lovely?” and “Signed, Sealed, Delivered”…you know, those hack jobs), but it’s James’s “indulgent” request and his heart-melting reaction that put this Carpool Karaoke on the top of a very entertaining heap. –Sage

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Fan Video Friday – Welcome Back TV!

please come back

Posted by Kim and Sage

Summer is fine. It’s the season of re-watches. Of catch-ups. Of Cat Deeley. But even with all the changes the medium has undergone over the last couple of decades, fall is still the best time to be a TV fan. We’re about to embark on the first of several premiere-heavy weeks, and the only emotion that can match our giddiness is ice cold fear that we won’t be able to keep up with it all.

The 2015 crop of pilots isn’t too promising. We’ll be lucky to get a regular timeslot or two out of it. But who cares, when so many old friends are returning? This week’s Fan Video Friday post is a tribute to the shows we’ve missed so thoroughly all summer and can’t wait to have back in front of our faces. Happy watching.


“Everybody Wants to Rule the World” – How to Get Away With Murder

Sage: Like most things Lana Del Rey does, this cover is ridiculous and lacking in subtlety, which makes it an excellent choice for fan-vidding a soap-y melodrama like How To Get Away With Murder. The freshman season of the Shondaland legal thriller held back nothing…except most of the answers and all of Annaliese Keating’s motivations. I’m eager to see where Season 2 takes Professor Keating and her little murder minions, once the Lila Stangard case is put to bed.

Edit: this cover is actually by Lorde, but all opinions about Lana Del Ray still stand.

“Latch” – Jane the Virgin

Kim: No offense to Brett Dier’s Michael (he just wants a Feeling Award, you guys), but I am FIRMLY on board the S.S. Jafael and have been from the very beginning.  Yes, they’ve had their issues (mainly stemming from Rafael’s insecurities and fucked up family). Yes, they have different value systems and come from different worlds.  The odds are stacked against them, quite frankly, and their relationship will ALWAYS be hard work. But there’s no denying that when these two find themselves on the same page…magic happens. Much like Jane, I see the sparkles whenever these two share the screen. “Now I’ve got you in my space, I won’t let go of you. Got you shackled in my embrace, I’m latching on to you…”

“Worth It” – Flash and Arrow

Sage: WHEW, am I glad we picked a Flarrow ladies tribute video. Because I am not speaking to Stephen Amell right now.

Titular comic book heroes mostly come straight out of the text; it’s the development of compatriots and especially love interests that set a truly great superhero show apart from the just okay. The Flash and Arrow aren’t above criticism for how their female characters fit into the world around them (see: Season 1 Laurel and 2/3 of Season 1 Iris), but overall these ladies are serving up intelligence, sarcasm, and courage, and handily carrying their own storylines. P.S. I will always ship Barry and Felicity AND Barry and Caitlin a little bit, and nothing you do can stop me.

“Love Me Like You Do” – Nashville

Kim: In last week’s installment, we spotlighted the tortured OTP of Deacon and Rayna.  However, the reason I tune into Nashville every week is Juliette Barnes.  We’ve made it no secret that she’s our favorite.  I hate hate hated what they did to her at the end of last season (Super crazy postpartum depression pushing her marriage to the brink of destruction? Be a little more original, show.) so I am super curious how they are going to right Juliette’s path now that Hayden is back on the show full time.  Less Crazy Lady and more Bad Ass Country Diva, please and thank you.

“You and I” – The Mindy Project

Sage: OKAY, this video isn’t the newest Mindy and Danny video on the YouTubes. But think of it as capturing a particular moment in time, the hesitation right before the sparring partners figure not just that they’re crazy about each other but that it might be time to act on it, instead of boo-hooing about past loves gone wrong. Also, it’s to one of the greatest ballads in the One Direction discography and the Secret Santa hug hits right at Zayn’s legendary high note. Multi-sensory bliss.

“XO” – Sleepy Hollow


Season Two of Sleepy Hollow may have had its rough patches (HA) creatively but what never wavered was the fact that Tom Mison and Nicole Beharie are beautiful and that Abbie and Ichabod have all the eye sex and UST a viewer could want. We have a lot of changes coming in Season Three…a new showrunner, dead weight cut loose (bye Katrina and Henremy, we won’t miss you), and NOT dead weight cut loose (WHY FRANK WHY I DON’T UNDERSTAND).  But one thing will remain steadfast, no matter what: Ichabbie’s devotion to each other. Witness represent.

Also…for those of you who still care (and plenty of you do, judging by Twitter) a recap of “Tempus Fugit” IS coming your way next week.  I promise.

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The Winners of the Second Annual Feelies!

one direction what did we win

Posted by Kim and Sage

The time has come! Welcome to the prestigious (in our opinion) Feelies award ceremony, where we announce the winners of our second annual reader poll! Voting opened last Monday for several categories in TV drama and comedy. (You can check out the nominee post here.) The competition has been fierce, especially where our nominees’ official social media accounts got involved (what up, Jane the Virgin?!), and, in some cases, the leaderboards have been constantly changing. But in the end, each race could only have one winner. We’re proud to bring you those winners today.

The Feelies go to….

Best Comedy Series

The nominees were: Broad CityJane the VirginThe Mindy ProjectParks and RecreationSelfie, and The Unbreakable Kimmy Schmidt

THE WINNER IS: Jane the Virgin

Kim: Much like last year’s winner (and this year’s runner-up) Parks and RecreationJane the Virgin is a comedy that is driven by its heart.  On paper, the premise is a little ridiculous (a virgin is accidentally inseminated when going in for her annual check-up) but Jane the Virgin is so much more than its telenovela roots.  At its core, Jane the Virgin is about family, both the family we are born with and the family we choose. It’s about three generations of women being there for each other no matter what. It’s about love. It’s about the eternal struggle of balancing reality and dreams (I FEEL you and your writer dreams, Jane!). It’s about the choices we make and how they define us. It’s the most delightful show I’ve watched in a long time and I am so proud that it won.

What makes Jane the Virgin so special is the way it deftly balances the comedy and the drama.  It plays with telenovela stereotypes and fully commits to every outrageous twist and turn. It gives you the giant romantic gestures we all want to see on TV (who DOESN’T swoon when Rafael and Jane finally kiss?) and then turns around and drops truth bombs everywhere (the Immigration issues with Alba).   The show is peppered with fantastical elements like posters of Rogelio coming to life and talking to you. And yet the outlandish is always grounded in the reality of Jane’s journey.  There is not a weak link among the ensemble.  The writing is the definition of sharp.  Every character is fully realized…and has been from the very first episode.  This is clearly a show whose team knows what they are doing.

It would be so easy to make fun of Jane’s choice to save herself for marriage or to make her insufferably sanctimonious about it.  The show does neither. I love how the show doesn’t judge any of its characters.  They are just who they are and no one makes apologies for it. Jane struggles with her choices on a daily basis and that’s what makes her so REAL.  That’s really the best word to describe this crazy little telenovela that should have never translated to American audiences. REAL. That’s why it’s connected with audiences.  All the female empowerment and pretty men are just a bonus.

Best Drama Series

The nominees were: Agent CarterBroadchurchDoctor WhoThe FlashMad Men, and Masters of Sex

THE WINNER IS: Agent Carter

Sage: Everybody say, “Heeeey, Miss Carter…”

The voters have spoken, and they know Agent Carter‘s value. In eight short episodes, this freshmen Marvel series courted a devoted fanbase with tight plotting, dope period costuming, elegant ass-kickings, and true emotional beats. Peggy Carter isn’t an Avenger. There isn’t a SHIELD to speak of yet. But her story is one worth telling. Why? Because she says so.

As we reported in our SDCC posts, Agent Carter was being repped all over San Diego this July. Red fedoras were the headwear of choice. Peggy fan art was selling out all over the place. And any mention of the show received more enthusiastic Ballroom 20 cheers than its panel mate, Agents of SHIELD. The love that Agent Carter has engendered is passionate. Because this is what the people want: Hayley Atwell’s holy light, sexual tension that knows no gender, and the most feminist piece of art in Marvel’s collection.

Best Actress in a Comedy

The nominees were: Karen Gillan (Selfie), Ilana Glazer (Broad City), Mindy Kaling (The Mindy Project), Ellie Kemper (The Unbreakable Kimmy Schmidt), Amy Poehler (Parks and Recreation), and Gina Rodriguez (Jane the Virgin)

THE WINNER IS: Gina Rodriguez, Jane the Virgin

Kim: What a GIFT Gina Rodriguez is. She’s so refreshingly pure in her performance as Jane.  She just IS Jane.  We don’t see any seams in her performance.  It’s rare to see an actress know her character so thoroughly from the VERY START of a series and that’s what Gina Rodriguez did this season. It’s one of the most honest performances I’ve ever seen and I can’t WAIT to see what else she is capable of doing.

What’s amazing about Gina is her ability to deftly switch between the comedy and drama of Jane the Virgin without skipping a beat.  She’s not afraid to fully commit to her performance and that’s WHY everything about the show works. Because while the circumstances may seem ridiculous to US, they are not ridiculous to Gina (and therefore Jane), so we the audience is willing to go on the journey with her. Plus, girlfriend can cry on command and do it BEAUTIFULLY. Teach me your secrets, you wizard.

Like Peggy Carter, Jane Gloriana Villanueva is a character we NEED on TV right now.  She’s just so GOOD but not insufferably so.  She believes in herself and she always wants to see the good in others. She dreams of being more than she is and she struggles with her sense of responsibility.  She’s devoted to her family. She demands the best out of those around her.  She’s both sass and compassion.  She’s sunshine and rainbows.  She’s a character that you root for and a character you truly want to find happiness and success. Basically, she’s perfect.

Best Actress in a Drama

The nominees were: Hayley Atwell (Agent Carter), Caitriona Balfe (Outlander), Lizzy Caplan (Masters of Sex), Jenna Coleman (Doctor Who), Olivia Colman (Broadchurch), Eva Green (Penny Dreadful), and Tatiana Maslany (Orphan Black)

THE WINNER IS: Caitriona Balfe, Outlander

Sage: Following in the footsteps of last year’s winner (and this year’s runner-up) Tatiana Maslany, Cait Balfe is another brunette force of nature. Outlander itself is technically genre, but it doesn’t really feel like it. That’s because its leading lady (and man, we’re getting there!) deliver the material that they’re given with all the ferocity and gravity that they’d offer to the most A-list, Oscar-bait costume drama. The time travel conceit is almost beside the point; there’s so much else to know about nobility, commitment, and survival.

Cait is everything that she needs to be. And that’s a lot, since Outlander is essentially her story. She meets Claire’s challenges with courage when necessary and humor when it suits her. Claire stands up for herself and for the downtrodden, but still listens and respects her place as a newcomer to this culture and this time. There are “strong women,” composed entirely of sassy comebacks and barely concealed damseling, and then there are just women, who deal as best as they can with the shit they’re given and enjoy some good 17th-century castle oral every once in a while.

So thank you, Sassenach, for being at the forefront of one of TV most pro-lady shows. While I’m sure the paychecks and those love scenes with your costar are reward enough for your efforts, now you’ve got a Feelie to go along with them.

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Vote for the Second Annual Feelies!

Posted by Kim and Sage

Welcome to The Second Annual Feelies, where we herald our favorites of the television season and seek to right the wrongs of the Emmy Nominations.  While there may have been less to quibble with in this year’s nominations (TATIANA FINALLY), the Television Academy still shows an unbearable bias against genre shows, which are showcasing some of the best work on television.  There is no such bias here.  In fact, the only thing we could be accused of is TOO much bias towards niche shows.  What matters to us is not subject material but the EXECUTION of the material and how the actors and shows make us feel.

While we may have determined the nominees, the choice is in YOUR hands.  We encourage you to vote with your heart and NOT be like the Emmys and just click on a name because you like the show or the actor. Be discerning.  Be passionate about celebrating good work. Be better than the Emmys. We WANT you to struggle choosing a winner.  We very much sat cackling wickedly as we thought about asking you to choose between Tatiana Maslany and Hayley Atwell or between John Cho and Chris Messina.  That’s the POINT.  May the best performances win.

Voting will be open through Friday, August 7th.  Vote hard, vote often, campaign for your victor.  It’s all in your hands.


**choices of header gifs in no way disclose preferences in each category**

Best Comedy Series

Broad City
Jane the Virgin
Parks and Recreation
The Mindy Project
The Unbreakable Kimmy Schmidt  

Sage: Broad City continued its gleeful assault on comedy norms in its second season, with the girls – still the most loving, loyal friendship on TV – taking on consignment stores, dog weddings, oral surgery, and (“This is the greatest day of my LIFE.”) pegging. We bid a fond farewell to Parks and Recreation, but not before an inspired look into the future of our dear Pawnee friends. April found her calling, Ron and Leslie finally acknowledged what they mean to each other, and Jean Ralphio (poorly) faked his own death. Meanwhile, on Netflix: Ellie Kemper, whose Office character I always found a little grating, stepped into the role she was born to play on Tina Fey and Robert Carlock’s new series, The Unbreakable Kimmy Schmidt. Kimmy had all the wacky set pieces and inexplicable running jokes as 30 Rock, plus a dark and gooey center, a new and unexpected take on the rich and bored Upper East Side trophy wife, and some Peeeenoooo Noiiiiiiiiiiirrrrr.

Kim: The concept looked ridiculous on paper but Jane the Virgin delivered in spades, giving us a hilarious and ridiculous telenovela that had a HUGE heart that grounded it in reality.  The circumstances surrounding the characters may be farfetched but the exploration of family dynamics, the bonds between mothers and daughters, and the struggle of pursuing dreams versus adhering to responsibilities made them all relatable.  Selfieas we have often said, was a show too beautiful to live on network television.  More than just a modern My Fair LadySelfie was about two lonely souls looking for connection in all the wrong places and it was a caustic takedown of our obsession with social media. It’s truly the great tragedy of the TV season. The Mindy Project defied all the critics who worried that Mindy and Danny being in a relationship would kill the show.  Its third season seamlessly moved from a yearning romantic comedy to an honest exploration of what it’s like to be in a relationship in your 30’s.  TMP didn’t shy away from showcasing Danny and Mindy’s emotional issues that were stumbling blocks towards their happiness.  It was often raw and honest and tough to watch (yet never lost its sense of humor)…and that’s what made it great.


Best Drama Series

Agent Carter

Doctor Who
The Flash
Mad Men
Masters of Sex

Kim: The arrival of Peter Capaldi completely invigorated Doctor Who.  Series 8 saw the Doctor going through an identity crisis, questioning everything about what made him a “good man”.  This crisis lent itself to Clara Oswald, free from the “Impossible Girl” device, becoming a fully realized character who brought strength to the Doctor’s weakness.  Their journey from the Doctor being unable to tell her apart from Strax to “Do you think I care for you so little that betraying me would make a difference?” was a thrilling one that kept us glued to our screens every week. We said goodbye to Mad Men in style as we watched Don Draper wander the country aimlessly before a moment of zen helped him realize that he’d like to buy the world a coke. The Flash built on the foundation laid down by big brother Arrow, deftly balancing bad guys of the week with its overarching mythology. While Arrow faltered in its third season, Barry Allen and company hit all the right marks in their debut season, building to a finale that left us positively breathless.

Sage: Agent Carter‘s arrival wasn’t as hyped as that other (and messier) Marvel Television production Agents of S.H.I.E.L.D., but damn if Tara Butters and her fellow EPs didn’t show their colleagues a little something about storytelling. Carter is equal parts fun and sorrow; Queen Hayley Atwell regularly kicks the asses of full-grown men and trades banter with the real live Jarvis, but she also spent the season putting Steve Rogers to rest in her heart. The whole cast is terrific, but Peggy Carter is a character we need on TV right now. We can’t wait to see her again. After the dismal American version finally took a step off those northern California cliffs, the original and far superior Broadchurch rose like a phoenix. A rumpled, grumpy phoenix. Alec Hardy finally solved the case that haunted him throughout the Latimer investigation, but let’s be honest: Broadchurch 2 is about Hardy and Miller, the Former Detectives Club – now partners by choice. Masters of Sex dug deeper into its fathomless characters in its second season. More impressive guest stars were pulled into the wake churned up by the partners’ research (Keke Palmer, Betsy Brandt, Christian Borle), as Bill and Virginia became more intertwined.


Best Actress in a Comedy

Karen Gillan as Eliza Dooley, Selfie
Ilana Glazer as Ilana Wexler, Broad City
Mindy Kaling as Mindy Lahiri, The Mindy Project
Ellie Kemper as Kimmy Schmidt, The Unbreakable Kimmy Schmidt
Amy Poehler as Leslie Knope, Parks and Recreation
Gina Rodriguez as Jane Villanueva, Jane the Virgin

Sage: Clearly, we were predisposed to like Amy Pond in anything she’d do after. But then Karen Gillan had to go and pick a nuanced romantic comedy and a stereotype-smashing reforming party girl character, both of which were doomed by their own quality. As Eliza, Gillan was funny, sexy, and vulnerable, and nailed her American accent which, frankly, Scots’ usually mangle. (Sorry, guys. We love you anyway.) It hurts not to be able to co-nominate Ilana Glazer and her co-star Abbi Jacobsen, but such are the rules of the Feelies. On Broad City, Glazer is a bundle of filthy joy, an accidental style icon, and questionable life hero. In other words: yas, kween! Mindy Kaling has always been a phenomenal writer, but her performance leveled up in this past season of The Mindy Project. Dr. L realistically struggled with a potential cross-country move, an unplanned pregnancy, and a shoplifting Staten Island Italian, and she did it all in style.

Kim: Ellie Kemper‘s inherent sunniness makes her makes her a perfect Kimmy Schmidt, a character that in lesser hands would have been a one-note punchline.  Bedecked in her signature bright colors, Kimmy is joy personified, but Ellie never lets her fall into caricature and she lets you see the steely edge beneath the innocence. You can’t help but cheer for her. Amy Poehler‘s Leslie Knope is both a feminist and television ICON and the fact that she only has one Golden Globe to show for it is one of television’s greatest injustices. Leslie doesn’t need your praise…she’s too busy running the country.  Gina Rodriguez was the revelation of the TV season and is the giant heart at the center of Jane the Virgin.  She can have you rolling on the floor with laughter one minute and then weeping the next. Her performance is achingly honest and I had her marked to WIN the Emmy this season…and then she didn’t even get nominated. Whatever.


Best Actress in a Drama

Hayley Atwell as Peggy Carter, Agent Carter
Caitriona Balfe as Claire Beauchamp, Outlander
Lizzy Caplan as Virginia Johnson, Masters of Sex
Jenna Coleman as Clara Oswald, Doctor Who
Olivia Colman as Ellie Miller, Broadchurch
Eva Green as Vanessa Ives, Penny Dreadful
Tatiana Maslany as The Leda Clones, Orphan Black

Kim: As Sage pointed out, Peggy Carter IS the character we need on television right now and Hayley Atwell embodies her so fully you can’t tell where one ends and the other begins. She knows her value…anyone else’s opinion doesn’t matter. Lizzy Caplan continues to do incredibly nuanced work on Masters of Sex, defying the critics who had labeled her as solely a sardonically comic actress.  Her Virginia is a woman torn between traditional duties and her dreams of changing the world with her work.  She’s truly ahead of her time. Speaking of characters ahead of their time, Caitriona Balfe imbues Claire Beauchamp Randall Fraser with ferocity and gravitas that grounds the fantasy of Outlander in reality. She’s a heroine for the ages, staunchly uncompromising her beliefs to mold into the gender roles of 18th Century Scotland.  Olivia Colman‘s Ellie Miller is a wounded animal recovering from the devastation of her family.  She masks her pain behind a steely demeanor but is never afraid to let the cracks in her armor show.  Series Two is all about Ellie’s journey BACK to the person she was before and Colman brings incredible depth and vulnerability to the role.  Never count out DS Miller, people.

Sage: With the character evolution of Clara Oswald came new opportunities to appreciate what Jenna Coleman is doing with the part. She clicked immediately with Peter Capaldi, but let’s not give chemistry all the credit. Clara made some controversial choices this year and Coleman grounded those choices in palpable human emotion. Series 9 is a victory lap well-earned. Penny Dreadful might be too camp for some, but rest assured that former Bond girl Eva Green is doing work on that show. She approaches the haunted Vanessa with such intensity that you don’t know whether to be scared for her or of her. Let’s go with both, just to be safe. But maybe the hardest working woman on television is Orphan Black phenomenon (freak of nature?) Tatiana Maslany. She just keeps on slaying; we’ll never not be flabbergasted by how fully she possesses so many completely rounded characters. And season 3 brought us a new Leda (and an immediate fan favorite): the perceptive and sweet nail technician Krystal.

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“You could be forming a line for nothing.” – SDCC 2015 Part IV

The New Mount Rushmore.

The New Mount Rushmore.

Posted by Kim

Life at Comic Con is a BUBBLE.  You’re so focused on getting everything on your schedule done that you have no idea what’s going on in the world other than the status of the Hall H and Ballroom 20 lines and whether or not Hayley Atwell had posted a new dubsmash. It’s a nice place to be.  The BEST place, really. Our last day of Comic Con was a bit of an oddity as there were exactly zero panels we were DESPERATE to get into (many apologies to our Supernatural recapper Dawn, whom we surely let down). Thus, we allowed ourselves the luxury of sleeping in until 8:30 (which in Comic-Con time is practically noon) and set out with no real PLAN for the day. Having no set plan or schedule is a double-edged sword, especially for a Type-A Monica like me.  After 4 days of schedules regimented down to the minute, it was refreshing to just be able to wander and take things as they came. On the other hand, wandering aimlessly led to us making several rookie Comic-Con mistakes.  It had to happen eventually, right?

We have zero idea what day it is.

We have zero idea what day it is.

Rookie Mistake #1: Planning on hitting the offsites before the Exhibit Hall.  With no panels, we decided to use Sunday to visit all of the offsite events we had been ignoring all weekend.  We made a stop by the Petco Interactive Zone on our way to the convention center because we had been walking past the giant Snoopy house (promoting the new Peanuts movie) all week and had been dying to go in.  By 9:30 AM, the line to go through the house wound its way around the park several times and it crept along at a snail’s pace.  We left.  No amount of free Charlie Brown trucker hats or snuggles from rescue beagles was enough for us to wait several hours to go down a slide. This is Comic Con, not Six Flags, y’all.

We bypassed the convention center in favor of heading towards the FX Arena and the Adult Swim carnival.  Both were closed until 11. Lame.  We opted to walk along the marina on the way to Nerd HQ, which we knew for certain would be open. It was a lovely walk and was decidedly less crowded than the main drag in the Gaslamp. Plus we got to see all the boats and discuss what fandom related name we would give to our yacht when this website goes public and we become bajillionaires. (It could happen.) For future reference, my yacht will be called the Hello, Sweetie.



So why was this a mistake? We assumed that we’d be able to wander the exhibit floor pretty easily towards the end of the day, based on past experience at New York Comic Con, where we were able to zip through the floor finding last-minute deals in the dwindling hours of Sunday. False. Sunday afternoon was the most packed we EVER saw the exhibit floor as swag-hungry con-goers devoured as much of the remaining stock as possible.  After being able to wander the floor pretty easily Saturday morning, the sardines-like atmosphere Sunday afternoon was a bit of a shock.  Next year, we’ll know better.  If our Sunday schedule is empty, we do the exhibit hall first and then hit offsites when they open later in the day. Ah, well.  It’s a blessing in disguise. WE DIDN’T NEED TO BUY MORE THINGS ANYWAY. (Though we did miss out on a print we had been eyeing the day before because it sold out. Moral of the story: buy something when you see it. Don’t count on it being there on the last day.)

Rookie Mistake #2: Leaving NerdHQ while a panel was happening

Have we MENTIONED we love photo booths?

Have we MENTIONED we love photo booths?

Thanks to our super packed panel schedule, Sunday was the first day that we were able to make it to the Zachary Levi-founded Nerd Haven known as NerdHQ.  What a haven it was! There were couches and there were charging stations. There was actual FOOD for sale as opposed to just hot dogs and nachos (thank you for your cafe, New Children’s Museum) and there were a handful of food trucks outside. And much to our delight, there were photo booths galore.

High Five Rogue!

Much to the delight of the cute guy running the photo booth, my green “Sinceriously” shirt blended in with the green screen, rendering the top half of my body invisible.  Well…it’s either that or the Hall H sand fleas gave me superpowers. I’ll keep you posted.

The tickets for Nerd HQ’s “Conversations for a Cause” literally sold out in seconds.  Sage and I tried for no less than six panels when they went on sale…some were “sold out” immediately, some we managed to get “tickets” in our cart only to find they were no longer available when we went to fill in our information.  It was a disaster and we were crushed that we weren’t able to include this in our SDCC experience. We hung around the entry line for the Conversation with SDCC 2015 MVPs Hayley Atwell, James D’Arcy, Clark Gregg, and Chloe Bennet in hopes that people wouldn’t show (HA!) or that they would release some last-minute standing room tickets.  Nope.  DENIED.  After leaving our mark on the giant blackboard, we pondered what to do next. Would Hayley and Company DO a photo-op after?  Surely not, we thought.  We knew that Nathan Fillion was doing a panel later that afternoon, and as he had spent at least an hour doing photos the day before, we decided that we would throw our hope for a picture behind him.  Thus, we left NerdHQ and headed off to check out the Nerdist Conival over at Petco.

Big. Huge. 

The walk from the New Children’s Museum to Petco was not a short one. Along the way, we sadly observed that some of the offsite installations were already in the process of being taken down. (The Comedy Central Mini-Golf, which we had wanted to do, was one of them, much to our dismay.) One thing NOT taken down? The terrifying Colonel Sanders statues, which continue to haunt my dreams.



The Conival was set up all around one of the mezzanines of Petco Park (the baseball nerd in me was delighted to get a peek at this GORGEOUS ballpark).  There was swag (“I don’t know what that is, but it’s free, so I want it.”).  We got to color our own buttons at the Smart Girls booth because our Queen Amy Poehler knows what’s what.  We were in line for yet ANOTHER photo booth when both of our phones went off with an alert from NerdHQ. We looked down in horror…the Marvel Crew was doing a photo-op.  It took all of 30 seconds for us to decide that we had to double-back to the museum and we had to do it FAST.  Did I mention before it was not a short walk?  IT WAS NOT A SHORT WALK. It should also be noted that Sunday was the hottest day of the weekend. Just shy of ten minutes after the alert went out (honestly, the time we made was miraculous), we arrived back at the museum, drenched in sweat and calves burning.  The line for the photo-op was capped.  NO HAYLEY FOR YOU, IDIOTS WHO LEFT.

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“I know my value too.” – SDCC 2015 Part II

bad blood 2bad blood 3 
Posted by Kim and Sage

Sage: By virtue of scheduling, our SDCC decreased in intensity as the convention went on. After a few hours of sleep on an actual mattress, we were back in the heart of it all on Friday morning and ready to spend almost all day in Ballroom 20, the convention center’s second biggest panel room. As we are mostly a television blog, we made the call to cover as many serialized TV panels as we could. That, coupled with the fact that Star Wars fans had started lining up before Thursday’s audience was even loaded into Hall H, meant that seeing Harrison Ford in the flesh was not in the cards for us. (Massive nerd girl failure: we know.) On the plus side, our early bird arrival to the exhibit hall line meant that we were able to snag the BBC America SDCC exclusives that had eluded us on preview night. Successfully geared up with the Doctor Who merchandise that we definitely needed (my dresser is literally falling apart because I have too many fandom t-shirts), we installed ourselves in our home sweet home for the next several hours. And may no one ever say we don’t suffer for our craft, because that first panel was a great test of dickhead endurance, patience, and our devotion to Peggy Carter. WHY ARE YOU MAKING ME REMEMBER THIS?

The Big Bang Theory



Fate, you cruel, cruel mistress.

At least some good came out of our torment. Our friends were so amused by our anguished tweeting that one of them Storifyed our comments for posterity. Instead of re-living this 40 minutes in feminist hell, I will simply point you to that link. Thanks to HOF contributor and Doctor Who author/podcaster Graeme Burk for doing something productive with his giddy schadenfreude.

Falling Skies

Dr. Carter: could still get.

Dr. Carter: could still get.

Kim: As Sage said, we were firmly ensconced in Ballroom 20 in order to secure seats for panels later in the day, so we sat through some panels we wouldn’t have normally chosen to attend. Unlike The Big Bang Theory, the panel for Falling Skies was a delight.  And not at all misogynistic. On paper, Falling Skies is a show that I should have been obsessed with from day one. It has a 90’s heart-throb who has only gotten better with age. It has aliens. The aliens apparently have robots. It’s about the human race struggling to survive in the face of the apocalypse.  It has “KIM WILL LOVE THIS” written all over it.  So why am I totally ignorant about it? I will fully admit that I’ve never seen an episode because I have an unexplainable bias against TNT Originals even though they CLAIM that “they know drama”.  Because to me, TNT is where I go to watch Bones re-runs when I am home sick from work.  So kudos to this panel because now Falling Skies is in my ever-expanding queue of shows I need to watch.

  • On the panel: Noah Wyle (Tom Mason, Forever Dr. John Carter), Moon Bloodgood (Anne Glass), Drew Roy (Hal Mason), Will Patton (Captain Weaver), Sarah Carter (Maggie), Connor Jessup (Ben Mason), Colin Cunningham (John Pope), Doug Jones (Cochise), and Executive Producer Olatunde Osunsanmi.  It was moderated by our writing crush Darren Franich of Entertainment Weekly, which was an added bonus.
  • We were treated to an extended trailer for the final episodes and it looked epic. Part of my unexplained bias against TNT shows is that I always believed they were cheesy and low-budget.  This proved me wrong…it looked spectacular.
  • Falling Skies is in the midst of its final season and you could TELL that everyone was savoring their final appearance at SDCC together.  The panel was the very definition of a lovefest.  It also made the entire thing very accessible to newbies like us because it was more about reminiscing about their time together as opposed to talking about every single death or shocker that had happened over the course of the show’s run.  I left the panel feeling PRETTY unspoiled, which was nice.
  • The two women on the panel, Moon Bloodgood and Sarah Carter, also did a good job of wooing me to their show, thanks to their passion for their characters being badass women. “I was so happy to be out of the love triangle and on to REAL stuff,” Sarah Carter reflected on Maggie’s journey. I don’t know what that means but I loved that she was so excited about being more than a love interest.  Later, Moon threw a little shade for wanting more women on the show when she responded “How do I answer this? They are all MALES.” when asked what other character she would have wanted to play.
  • The actors do a LOT of their own stunt work.  “In retrospect, you feel GREAT about jumping off a three-story building,” Sarah said, when asked about her favorite moments of the series.
  • Noah’s son got up and asked a question during the Q&A and it was precious.
  • Noah makes his directorial debut in episode 8 of the current season.  When he said that, my jaw dropped because I don’t know HOW he never directed an episode of ER because it feels like the entire cast took a turn behind the camera at some point.
Doug Jones and Connor Jessup

Doug Jones and Connor Jessup

  • Doug Jones wins the fashion award for this panel with his matching plaid vest and tie.
  • Possibly one of my favorite Sage tweets of the convention: “Noah Wyle is so precious. I hope he realizes now that Dr. Benton was only so tough on him because he saw his potential.”
  • The panel closed with a fan requesting that each member of the panel describe the first impression they had of the person sitting to their left.  Noah: “My impression of Moon was that she intimidated me.” Moon: “GOOD.” (I’m obsessed with her.)

The 100

Bob Morley and Eliza Taylor

Kim: I am a fairly recent convert to The 100, having finally given in to the demands of our friend Beth, who is a professional show-pusher (she’s also responsible for getting us into Arrow so basically the CW should hire her).  So I was quite excited that their panel coincided with our Marvel TV panel plan. Sage has yet to see an episode of The 100 (she promises it’s on her list) so this continued our con tradition of Sage sitting through a panel of a show that has no mercy when it comes to offing characters and getting spoiled on everything.  I promised her that this was no Walking Dead though, that The 100 treated its characters, especially its female ones, with respect.  But I think what sold her on bumping the show up in her queue was the guy taking the axe-blade to the face in the first few seconds of the sizzle reel. “You weren’t kidding about it being intense.” “No, I was not.”

Isaiah Washington, Marie Avegerpoulous, Bob Morley

Isaiah Washington, Marie Avgeropoulos, Bob Morley

  • On the panel: Showrunner Jason Rothenberg, Eliza Taylor (Clarke Griffin), Bob Morley (Bellamy Blake), Isaiah Washington (Dr. Preston Burke…erm…Thelonious Jaha), Marie Avgeropoulos (Octavia Blake), Lindsey Morgan (Raven Reyes), and Ricky Whittle (Lincoln). Sadly NOT on the panel? Henry Ian Cusick aka Marcus Kane aka Desmond Hume, forever in my heart.
  • Bob was sporting a “Blake” trucker hat. Ricky one-upped him when he walked out wearing a “Linctavia” trucker hat.  Just in case you wanted any indication of how this panel was going to go.
  • Season three will open with a slight time jump to a few months after Clarke bailed to go on her walkabout.
  • “I’ll assume he’ll do what Clarke couldn’t do and become a leader.” – Bob Morley on Bellamy’s journey in season three. He loved throwing (loving) shade Clarke’s way because it would get Eliza all riled up in defense of her character’s actions.
  • The panel gave a standing ovation to those who had camped out for the panel the night before.  What I love SO MUCH about panels like this is seeing the actors truly understand and respect how much people love their show.

  • Being that The 100 is all about trying to maintain your humanity in the face of horrendous circumstances, there were many questions about the characters’ moral code (according to Rothenberg, the arc of season two was “at what point does the good guy become the bad guy?”).  “Lincoln’s moral compass will never change,” Ricky asserted. He later pointed out that “There are no good or bad people on our show.  There’s only perspective.”  Rothenberg also stated that “Our goal is to paint them into situations where there is no easy answer.” Subtext: don’t expect things to get any easier in season three.
  • “I skip through all the pages and go straight to all my parts.” – Marie, on when she gets a new script.  I do the same thing when I get a part in a play, so we are obviously kindred spirits.
  • “I get to play someone with a disability on TV, which is really important. AND she kicks ass.” – Lindsey on her affection for Raven.  What’s in store for her in season three? “Raven’s coming out on top.”
  • Lindsey and Ricky, given that they were the furthest away from the moderator, were the unruly children of the panel.  At one point, Ricky surrounded himself with four of the microphones on the table so he could be heard properly.
  • Lexa will be back at some point in season three, as the show was able to juggle production time to accommodate Alycia Debnam-Carey’s new role on Fear the Walking Dead.  As far as whether there is hope for Clexa, Eliza and Rothenberg only teased that Clarke is PISSED so the road to reconciliation is a rough one.
  • Rothenberg did the same kind of ship teasing when it came to Clarke and Bellamy.  “Their chemistry is undeniable, so I never want to rule it out,” he said, like the ship-baiter he is.  Eliza pointed out that while Bellarke makes a great team, “but there are going to be some issues”.  Basically, everyone is pissed at everyone and ain’t nobody got time for romance.
Ricky Whittle and Lindsey Morgan

Ricky Whittle and Lindsey Morgan

  • “Are you strong or are you weak? That’s the only difference that matters.” – Rothenberg on the amount of diversity on the show.
  • Isaiah pulled a Christine Lahti at the Golden Globes in the middle of the panel. Just because the water bottle is on the table doesn’t mean you have to DRINK all of it.
  • Eliza admitted that filming the season two finale took a big emotional toll on her.  “I needed a shower!”
  • “I forget I’m in the show! That’s how engrossed I get.” – Isaiah, on watching episodes for the first time.
  • Sage on Bob Morley’s VERY wide shoulders: “How does he fit through doors?”
  • During the Q&A there was a Clarke cosplayer who was completely screen accurate. “I tracked it all down online and then altered it to match,” she admitted when Eliza questioned her about it.
  • Also during the Q&A a girl got to the mic and promptly burst into tears. Ricky jumped off the dais and went to hug her, only prompting more tears.  He then stood with his arms around her as she managed to finally ask her question.  And THIS is why I love Comic Con.
Ricky and a fan.

Ricky and a fan.

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HOF at SDCC – Our Expectations and Wildest Dreams

Posted by Kim and Sage

It’s finally here.  Tomorrow we get on a flight to head to the Super Bowl of Fandom: San Diego Comic Con.


We still can’t believe that we’re going.  After weeks of arduously reading every fan forum we could in order to get insider information, after studying the schedule meticulously, after making to-do list upon to-do list, the time has finally come to just shut up and DO THIS.  We’re ready…yet not ready.  As professional attendees of New York Comic Con, we’re aware that no schedule can be set in stone. Panels fill up unexpectedly and things can change at the very last-minute.  Nevertheless, we have our ideal schedule along with our expectations and dreams for them.  Follow us on Twitter and Instagram all week for our updates.  Detailed posts will go up when we return from the con bruised, bloodied, utterly content, and ready to do it all again in 2016.  LET’S DO THIS.

— Kim


The Hunger Games: Mockingjay Part 2

hunger games cast

Wildest Dreams: Jennifer Lawrence orders pizza for all of Hall H and we just hang out for an hour.
Expectation: Actually, that could happen.

Doctor Who

doctor who cast

Expectation: We get a trailer for Series 9 and Steven Moffat swears Hall H to secrecy.  Peter Capaldi will be dead sexy in his first Comic Con appearance.

Wildest Dreams: Said footage will include canon Whouffaldi. Peter and Jenna spy us in the audience and demand that we be cast in the Christmas Special.

Con  Man

con man cast

Expectation: Someone in the audience makes a “Sudden but inevitable betrayal” reference.
Wildest Dreams: Con Man is actually the production code name for Firefly Season 2

Geeks Go Glam Party

felicity wedding

Wildest Dreams: We actually get there in time to get gift bags.

Expectations: We party for 20 minutes before passing out Gallifrey One style.

And we're spent. Good night moon. Good night room. Good night Gilian's face. Good night Gally 1.

This never ceases to amuse us.


The 100

the 100 cast

Wildest Dream: That Sage won’t be spoiled for the entire series.

Expectation: She will be.

Minority Report

Expectation: No one misses Tom Cruise.

Wildest Dream: Stark Sands jumps on the table and gives us a little “Soul of a Man”, reprising his Tony-nominated role from Kinky Boots.

Marvel Television Presents

nailed it hayley james

Expectation: Hayley Atwell is flawless and makes a reference to 90’s hip-hop.  James D’Arcy makes us swoon.  Clark Gregg is a precious feminist sunflower.

Wildest Dream: Kim starts to care about Agents of SHIELD.

Orphan Black

orphan black cast

Expectations: Tatiana Maslany is a perfect unicorn and makes the whole room cry. Everyone mourns Delphine.  Kristian Bruun is a teddy bear.  Kristian and Tatiana recreate the Alison and Donny twerking scene.  We weep outside the doors of this panel because we stayed at the Marvel Panel too long.

Wildest Dreams: Jordan Gavaris gets locked out of the panel too and we spend the whole panel gossiping and trading skin care tips in his hotel room.

Nerd Nite Party sponsored by National Geographic Channel

breakfast club brian

Wildest Dreams: We find nerd boyfriends.

Expectation: We stuff our faces with the free food.

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