“It’s the losses that wear me down.” – Sleepy Hollow Recap – Delaware

Sleepy Hollow Season 3, Episode 17

Posted by Kim

(Note: I wrote a GOOD portion of this before that disaster of a series season finale. I’m letting what I previously wrote stand and I’m going to TRY and not let my rage color the rest of this, but I make no promises.)

I am not okay.

I may have been REALLY good about avoiding spoilers for this season of Sleepy Hollow but I am also not dumb. The minute Zach Appelman became the point person for all the press concerning “Delaware”, I knew my beloved Joey Corbin was doomed. I tried to convince myself otherwise. He brought too much to the show, I argued. He was an essential part of the gang. He was a tie to Abbie and Jenny’s roots. He brought a totally different type of masculine energy to Team Witness and served as a perfect counterpoint to Ichabod. He PROMISED Jenny he would be the one for her to tell all her crazy stories to when they were old and gray. He was CAPTAIN of the SS Ichabbie. JOEY CORBIN WAS ESSENTIAL. Of course, even as I argued with myself for all the reasons NOT to kill Joe, I realized they were actually all the reasons that OF COURSE they were going to kill Joe. Nobody likes Danny, so no one would bat an eyelash if he died. You CAN’T kill Sophie because she’s Ichabbie’s daughter from the future and time travel is REALLY hard to write about. So that left two options: Joe or Jenny. Considering the revelations about the Family Mills in this episode, it makes zero sense to off Jenny from a storytelling perspective. (Jenny may not be a Witness, but it’s clear to me that she has a bigger role in this story than even she realizes right now.) (Plus, I think Sleepy knows better than to fridge a woman of color at this point in time.) (AHAHAHAHAHAHAHA AND THEN THE FINALE HAPPENED, I WEEP FOR MY INNOCENCE AND FAITH IN THE SHOW.) Thus Joey Corbin, perfect cinnamon roll, too good and too pure for this world, had to meet his end and Sleepy Hollow wrenched my still beating heart out of my chest and did a tap dance on it.

I told you I wasn’t okay.

Look, I get that Sleepy Hollow is a show about the battle against the apocalypse and Gods and monsters and that sacrifices HAVE to be made along the way or the show would make less sense than it already does. (That’s a compliment. I LOVE your batshit nonsense, show.) And at least Joe’s death was treated with respect unlike other shows currently airing (*cough* THE 100 *cough* JUSTICE FOR LINCOLN *cough*) have done recently. But like Sage raged in her post on Beth Greene’s death on The Walking Dead , the problem that I have with the offing of Joey Corbin is not that it was done but that it was principally done to cause Jenny Mills pain. We’ve seen Jenny BLOSSOM over the course of this season as she’s opened herself up to trusting and loving Joe. It’s been fantastic watching her find solidarity in their relationship and seeing her loosen up on the tightly held grip of her personal life. I’ve seen comments from showrunner Clifton Collins that Joe’s death opens up an “interesting” storyline for Jenny. HA. JENNIFER MILLS IS PLENTY INTERESTING ON HER OWN WITHOUT KILLING OFF HER BOYFRIEND.

Also, I can tell you EXACTLY how this story is going to go. Jenny Mills is not going to be a person who looks at Joe’s death with a perspective of someone who is all “Well I found great love but he died but I FOUND it and I’m totally open to finding it again.” Jenny is going to be “I opened up to this man who promised he was never going to leave me and I allowed myself to love him and guess what? He fucking DIED. So thanks but no thanks but I don’t care for that yucky love stuff and I’m going to be even more closed off than I was before.” If I can predict EXACTLY how a character is going to react, that’s not interesting. It’s cheap. Killing Joe off was CHEAP, even if the WAY it happened was not. The very act of it was cheap. So I weep for the wasted potential of Joe Corbin. There was so much more to explore with him, both as an individual and in his relationship with Jenny and Team Witness. I weep for the interesting stories he still had to tell. (Sage: They had a REAL MONSTER ON THEIR TEAM. Their Angel, their Oz.) I get that the wasted potential is tragic, but it’s a tragedy we didn’t need to push this story forward. Selfishly, I weep that I don’t get to see Zach Appelman’s face every week. It didn’t have to be this way.

So let’s talk about the episode, shall we?

#CreepyHollow and #WHATTHEDAMNHELLHollow

After an Ichabbie scene that damn near killed me on the spot, we find Team Witness + Pandora in the archives hashing out their plan to take down The Hidden One. Joe and Jenny are both SUPER Anti-Pandora, pointing out that there is absolutely no way that Pandy isn’t going to screw them in the end. “She’s going to work really hard to gain our confidence and then screw us over again for her megalomaniac boyfriend.” (Agreed that she’s going to screw them over, but I think it’s going to be for her OWN gain because she’s sick of THO stealing her wind. She is her own windkeeper, after all.) I love that Pandora is SO BORED with this shit. “It matters very little if you trust me or not,” she deadpans. (True. Also, I just love Shannyn Sossamon’s performance SO MUCH. ) Just when the party couldn’t GET more lit, it does, because heeeeeeeeeeeeeeeere’s Danny, ready to join the mission because he thinks it will get him into Abbie’s pants. I LIVE for how Joe, Jenny, and Sophie all rolled their eyes at his arrival. Ain’t nobody got time for this. Danny and Abbie have a quick heart to heart about him joining the team where they spew cliches like “This is where I want to be” and “If anything happened to you, I wouldn’t be able to forgive myself.” I’d believe it if Abbie hadn’t shown more delight at Crane’s cappuccino than she did at Danny’s promise to take them back to the Nicholas Sparks Cabin of Feelings. If you’re going to shove this pairing down my throat, the least you could do is have Abbie show a little enthusiasm. JUST SAYING.

Do not want.

Back to the mission. Apparently, Team Witness has a grand total of eight hours before the sands run out of the hourglass and THO possesses the total power of the pantheon of the Gods. The strategy is as follows: Abbie and Ichabod will go to the catacombs to restore Pandora’s box, whilst the others do everything they can to slow THO down. Danny’s been on the team for all of 5 minutes before he starts questioning everything. He questions the fact that they have so little intel on THO and he questions why BOTH Abbie and Ichabod need to go to the catacombs because his deposit on the Nicholas Sparks cabin is non-refundable, and let’s face it, he’s hoping Ichabod will end up trapped there anyway. Pandora insists that the job can only be done by the two witnesses (and because she ships them and knows they need some time together because she’s watched the past few episodes).  While I side with Jenny in her annoyance that Pandora is keeping herself out of harm’s way by not going WITH Ichabbie, I ALSO see her reasoning in staying behind. She does know THO the best, after all, and she’s the only one who has some sort of semblance of power that can stop him.  So it’s settled.  The Witnesses will cross the river to the catacombs while the rest of the team zeroes in on containing The Hidden One. According to Pandora, THO is on Bear Mountain, which sits on a focal point of ancient energy. According to good old Washington’s journal, the mountain is covered in a bunch of intersecting ley lines whose power can be channeled to fight the powers of the hourglass. “Into the woods, it’s time and so I must begin my journey…”

In the car on the way to the river, Ichabod reflects on his relationship with Betsy Ross. Betsy returned from the catacombs irrevocably changed. Abbie points out that she herself was changed when she returned but Ichabod insists this was different. She returned and completely cut off all communication with him despite their previous closeness. This, kids, is what we call foreshadowing. The Witnesses get their boat on the river and strive to recreate the mural of Washington crossing the Delaware, down to Crane wrapping himself in a blanket. He hands Abbie the flag with a grin. “Would you do the honors?” he smirks and I CAN’T EVEN EXPRESS how important it is to me that he cedes all power to Abbie in this moment. Every little thing that he’s done since it became clear they would have to go back to the catacombs has been done with respect to her agency. He KNOWS what the catacombs did to her and he knows how utterly brave and selfless it is of her to be willing to go back. He leaves it to ABBIE to hold the flag because it allows her the power to say no. What’s even more important is the fact that Abbie DOESN’T say no. She simply cracks a joke about how foolish they will look if this doesn’t work. (“If this doesn’t work, you DO realize that we’re just two people on a boat singing the anthem?”) Abbie unfurls the flag and starts to sing, tentatively at first, but she gains strength as she continues. The flag illuminates on the phrase “Bright Stars” and we’re not in Sleepy Hollow anymore, Toto. Welcome to the River Styx. I had no idea it was located in upstate New York.

After a heart to heart on the boat that I’ll definitely be discussing in the shippy section because MY GOD, Abbie and Ichabod reach the shore only to find that Washington’s original mission clearly went to shit. There are fragments of the boat and bodies ERRYWHERE. Ichabod finds a missive from Betsy on one of the bodies (HOW CONVENIENT) that details just exactly what went down. There was a traitor on the boat (courtesy of our buddy General Howe, REMEMBER HIM?) and he blew the boat up. Washington and Betsy were the sole survivors (because of course). Once again the witnesses discuss that Betsy came back from this mission a completely different person…going as far as to say that she was LITERALLY a different person, just in case we didn’t think we were being hit over the head with the fact that they are most definitely going to find her in the catacombs by the end of the episode.

Meanwhile, the remainder of Team Witness is following Pandora’s magical compass so they can drive stakes into all the ley lines of Bear Mountain. They’ve split up into the combos of Joenny and Danny, Sophie, and Pandora so they can cover ground faster and Danny’s barking out orders as if he’s in charge even though he LITERALLY joined this team ten minutes ago. (PANDORA joined this team before you, Danny, GTFO thinking you are in charge.) Suddenly we get a shot of a flock of birds converging over the mountain and Pandora says “He knows we’re here” and I had to make sure I was watching Sleepy Hollow and not Fellowship of the Ring.  THO conjures a storm and now Team Witness knows they have to go through the Mines of Moria instead of over the Mountain realizes they have GOT to get a move on. One problem though. The storm manages to damage Pandora’s compass and now they have no way of marking the ley lines. Their only hope is a map Jenny has back at her trailer but it will take too much time to retrieve it and bring it back to the mountain. Joey volunteers to go back and then text Jenny the correct coordinates. “Watch your back, babe.” This is me:

Back in the underworld, Abbie and Crane realize they are equally fucked. They have no map or ANYTHING to direct them on how to get to the catacombs. To make it worse, one of the soldiers springs back to life and attacks Crane because the one thing this episode was missing was zombies. Crane and Abbie take out the zombie together (kudos on the blood and guts, show) and Crane discovers a dark magic charm that Howe used to give its wearer eternal life. Really this has no significance to the overall plot except that it makes Crane look closer at Betsy’s missive. It’s encoded with directions to the gateway to the catacombs because Betsy Ross is the smartest person who ever existed, didn’t you know? Abbie and Ichabod stand outside the gateway and Ichabod STILL gives her the ultimate choice. He’s not going anywhere until she says it is okay. “I’m really going back there,” she breathes, steadying herself. “Only this time you’re not alone,” he gently reminds her. “And we have a way out.” In a BEAUTIFUL parallel to the Season One finale, Abbie and Ichabod link their hands (HER HAND IS SO SMALL IN HIS I CAN’T). “Shall we?” MY HEART.


Danny is all “I don’t like being blindsided” to Pandora, who just responds with a withering glare because she has no idea how this guy ended up in charge. He sends Jenny out on Hidden One recon with strict orders that she’s not to engage with him (Ha, that’s going to go over well) while he, Sophie, and Pandora distribute the rest of the ley line spikes. Jenny gets in position and finds that she has a clear shot at THO and she wants to take it. Danny ORDERS her not to engage and Jenny’s all “Sorry I can’t hear you. You’re breaking up. AND WHO PUT YOU IN CHARGE?” because NO ONE tells Jenny Mills what to do. She moves into position to take her shot (she’s not throwing it away, y’all) when Joey comes through with the coordinates. GOOD JOB BOO.

Back at the trailer, Joey is locking up so he can rejoin the gang when out of NOWHERE Ezra Mills shows up and immediately things get shady as FUCK. Joey is immediately on edge and Ezra is all “Is this a bad time?” and unease permeates the ENTIRE scene because Ezra is just oozing faux-innocence. I am pretty sure Sage and I broke bones in each other’s hands in this moment because we were SO afraid that Ezra was a baddie in this moment. On the mountain, an unfortunate snapped twig gives away Jenny’s presence and THO knocks her over and drags her to him using his magic. “It almost impresses me,” THO sneers. “The insatiable mortal desire to fight what you cannot possibly conquer.” Jenny, precious and brave sunflower, refuses to be cowed. “I don’t know what I hate about you most: the way you talk or the way you treat women.” TEN POINTS TO GRYFFINDOR. It’s a glorious retort but it’s also a reckless one because it turns THO’s eyes on how best to torture Jenny. “I know well the value mortals place on love. Let me take yours and turn it into pain.” (This line also strengthens my point that what happens to Joe was done EXCLUSIVELY to cause Jenny pain over anything else.)


At the trailer, Joey grimaces as a mystical light surrounds him. “You need to run,” he croaks at Ezra, his face contorted with pain. He turns into the Wendigo right in front of Ezra’s eyes. “It seems like you’re having a really bad day, son.” Ezra is AFRAID but he’s strangely NOT freaking out. HMMMMM. Ezra runs, because he’s no fool, but it is almost like he was expecting this to happen to Joe. Curiouser and curiouser.

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“Welcome to the club.” – Sleepy Hollow Recap – Dawn’s Early Light

height difference

Sleepy Hollow Season 3, Episode 16
“Dawn’s Early Light”
Posted by Sage

That thing I really didn’t want to happen happened. But Crane met another in-law and fell all over himself to make a good impression, so I think it’s all going to be cool. Let’s look at the rankings to be sure.


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Couldn’t have said it better myself, Danny. Though, I’ve been in Monster Club long enough to know that your bullets are of no consequence for a colonial demon like the Eternal Soldier. But I’m getting ahead of myself.

Sleepy Hollow went balls to the historical wall in “Dawn’s Early Light,” tying Betsy Ross’s flag, Francis Scott Key, and the crossing of the Delaware to the Sumerian catacombs and The Hidden One’s ancient agenda. I fear that this storyline is bringing us closer to welcoming Betsy Ross to the present, because I’m not feeling very welcoming at the moment. I’ll give her this though: the first time I really felt anything akin to…well, a feeling for Betsy was when she ruefully predicted to Crane that the clandestine nature of her heroic activities would mean that she’d likely be best remembered by history for sewing a piece of fabric while the men who relied on her would be remembered as heroes. Who lives, who dies, who tells your story, amirite?

Anyway, Pandora has taken on a pesky neighbor role in the Sleepy Scooby gang. Crane finds her rummaging through the Witnesses’ stuff in the masonic cell and they have a testy – though nonviolent – conversation. If Pandora wasn’t completely finished with being The Hidden One’s unpaid intern before, she certainly is after he compares her to “a house pet who comes to expect feasts instead of table scraps.” (Excuse you.) She tells Crane that all those times she unleashed demons on his neighbors, facilitated murders, and threatened the lives of everyone that he and Abbie love are all water under the bridge and could she have her box back, please? (I also love that Pandora was like, “Ask Abbie. Abbie knows,” like a kid who’s accustomed to playing both her parents. “But Daaaaaad, Mom already said I could go to the mall!”) Unfortunately for the mortal, the only place where Pandora can reconstruct her box isn’t exactly on the Sleepy Hollow historical walking tour. The Witnesses and Pandora need to find their way back to the catacombs, and they need to do it within 48 hours. Who knew gods operated within a modern concept of time? The Hidden One knows all, apparently, including the date of his season finale.

Crane breaks the news to Abbie that her former prison plays a big role in the saving of the world. He lets her be the one to decide if they go back (more on that in Shippy because oh my god); it’s sweet, but I think he already knows the answer. Now, to figure out how a couple of human beings can cruise over to the land of the gods without a deified expert. As with many of the Witnesses’ discoveries this season, Betsy Ross did it first. She retrieved the Eye of Providence for Paul Revere; her cutlass showed Abbie the way out of the catacombs. They know she was there. Crane remembers the last time he ever laid eyes on Betsy – while General Washington (rise up) was about to embark on his Christmas Day voyage across the Delaware River. Perturbed to not be invited, Crane sits with Betsy while the general prepares, and admires the flag she’s finishing. Betsy knows more than she’s willing to say to Crane, but she does beg him to consider the general’s real reasons for leaving him behind. Crane is too important to the future of the country and indeed, this plane of existence. Did Washington know Crane was a Witness and had responsibilities far beyond the Revolution? Whether he did or not, it’s still pretty sobering to think that Betsy was considered, in some ways, expendable.

Abbie, Jenny, and Joe don’t require much convincing to get on board with the best piece of Sleepy Hollow twistory in this half of the season. The trip across the Delaware was actually a trip to the Sumerian catacombs. (Abbie barely raises an eyebrow when she suggests the Delaware was blanketed with a “mystical fog ” that day.) Fortunately, a mural of that shining moment in this great American experiment is painted directly on the walls of the archives for easy research access. Crane notes that one of the men in the mural is wearing Betsy’s rabbit fur hat; Betsy was on that boat. (Pause for the bro moment where Joe tells Crane that Betsy probably didn’t tell him she was involved in the mission because she didn’t want him to worry. Boys looking out for other boys’ feelings, bless.) It’s a bit of a leap getting from the boat to the Orpheus myth, but Abbie reminds the room that the legend says the fabled figured used a lyre strung with golden thread to enter the underworld in pursuit of Eurydice. The same thread, she guesses, that Betsy used to make the stars in the stars and stripes “shimmer.” (The way Tom Mison says “shimmer” though. I felt that everywhere.)

crane joe

The flag is the key then, and Master Corbin knows exactly where they should look first. Crane remembers seeing the flag last with Paul Revere; Joey remembers going on a field trip to Paul Revere’s house in grammer school. (I’m surprised August didn’t pack a list of artifacts to steal – I mean “rescue” – in Joe’s bagged lunch.) Ichabbie use Abbie’s FBI privileges to get a private walk around the grounds, but no shimmering stars do they find. The flag has been replaced by one that’s both more drab and less supernaturally significant than Betsy’s. Their conversation about where the original could possibly be is interrupted by a cloud of smoke. The docent panics that someone turned on the smithy. Instead of leaving like he tells them to (please), Ichabbie go to the basement to check it out. The walls are of the room are hot to Abbie’s touch and for good reason. There’s a flaming zombie in the building and he is not happy that the Witnesses are poking around in his stuff. To be fair to Danny, Abbie also tries to shoot at the fiery demon, but to no avail. Crane and Abbie get thrown around like rag dolls for a bit, but they’re able to hold their attacker back long enough to make a break for it. They make it safely to their car; the demon melts into the pavement. That’s Ichabbie in a nutshell, isn’t it? They visit a historical landmark and leave it in flames. Can’t take them anywhere.

ichabbie running

Crane observes that the demon was wearing the uniform of the 8th Virginia regiment. Those troops were captured at the Battle of Monmouth (where Charles Lee shit the bed, as we all know); some soldiers “defied orders and escaped.” The Sisters of the Radiant Heart did the only reasonable thing they could think of: they tarred and bandaged the soldier they recovered with “infernal materials.” (Abbie’s expression at this says, “It took you HOW long to realize your wife was crazy?”) Crane identifies this demon as a guard of this place – and not a great one, since he once let someone get away with the original Betsy Ross flag. BUT WHO.

Back at the archives, Joenny study the photos Abbie sent over of the Revere House flag. That impostor is riddled with holes, but not the kind you’d expect from moths or burns. They’re almost symmetrical, and therefore probably there on purpose. “Why stripes?” Joey asks about our country’s first flag, and if the Doctor were there, he’d bestow a brilliant smile or at least an eyebrow raise for asking the right question. The stripes are the staff; the holes are the music notes. (“Wanna play ‘Name That Tune’?”) Joe and Jenny plot the song out, and discover that it’s an old favorite. “Oh say can you see,” Jenny intones, incredulous. AMERICA.

Ah, BUT: Francis Scott Key didn’t write the National Anthem until the War of 1812, long after Washington and Betsy crossed into the catacombs. That alone is a clue to the real flags whereabouts. Key was a mason, therefore aware of the supernatural threat to the young nation. He removed Betsy’s flag from Revere’s house for safekeeping when the British were ransacking important sites and left a hint to its whereabouts in the form of a song that would one day be warbled by Arianna Grande before the NBA All-Star Game. (I have no idea if this happened, but it just sounds right.) Ichabbie head out to Fort McHenry in Baltimore, where Key composed “The Star Spangled Banner”; Joenny stay behind to work on a weapon to use against the Eternal Soldier.

Abbie and Crane are waylaid in the carpark, first by Danny and then by the return of the demon. It’s Danny’s turn to wonder what the DAMN hell is going on, and this time right in front of his face. Also, it just so happens that this demon can THROW FIRE BALLS like he’s some kind of Sonic the Hedgehog level boss. Danny is all, “FBI, FREEZE” and the Eternal Soldier is like, “lol, right.” Again, the Witnesses (this time with Danny in tow) make it into their vehicle just in time to evade a hot and smokey death. That’s when Danny gets a rushed and overdue talk about the birds and the bees and the Revolutionary undead. “He’s a demon, a monster, a cursed spawn of hell,” Abbie summarizes. “Monsters are real and they’re here in Sleepy Hollow.” Danny, bless his heart, looks almost relieved. His best agent is a demon hunter. Her roommate is her partner. This answers almost all his questions. Still, he goes straight to Sophie once Ichabbie drop him off. (Mom and Dad have to go save humanity now, honey.) “I was wondering how you and Mills got so close so quickly,” Danny says. (Sophabbie shipper trash!) Sophie basically tells Danny to put his big girl panties on and deal with it. There’s no time to be scandalized by demons occupying Sleepy Hollow when there are DEMONS OCCUPYING SLEEPY HOLLOW. There are “responsibilities,” she says. “Consequences.” Get on board or get out of the way, basically. She says it nicer than I would have.

ichabbie flirting

Elsewhere in the colonies, Ichabbie approach Fort McHenry, tenderly bleeding the life out of me with their height difference. Abbie wonders aloud why the grounds of an American fortress would be home to a “42 foot statue of Orpheus.” Insert Keenan Thompson “You KNOW why” gif. (Because of Those Crazy Masons, coming to CBS this fall.) There’s a lyre carved into the base of the statue, with real moving pieces. Abbie presses on of the stone buttons and finds that it gives. She throws Crane an amused and triumphant look. “Any requests?” “You know the tune,” he answers. Is it Bruno Mars’ “Marry You”? Because it’s a beautiful night, and if you two are looking for something dumb to do, I can think of a few ideas. Instead, Abbie plays the first few bars of Key’s melody and an entrance opens. Betsy’s flag isn’t the only artifact inside the composer’s secret clubhouse, but it’s the one that the Witnesses AND the Eternal Soldier have come for. The creature corners Abbie and Crane just as Crane gets his hand on the fabric, and matters are looking grim. Miraculously, Jenny appears out of nowhere like and hoses the demon down with some liquid nitrogen. The Eternal Soldier freezes where it stands, leaving Joey free to enact the second phase of Team Joenny’s plan. He whacks the supernatural guard with a shovel and its tarred body shatters into pieces. “Science,” Joe announces to the group, just BARELY concealing a grin. I am going to miss him when he dies, and he is MOST CERTAINLY going to die. “You guys okay?” he follows up. Crane shakes out his coat, wholly unsurprised that the other half of this never-ending double date bailed him and his Biblical Life Partner out yet again. “A little singed.”

The Eternal Soldier is a cross between a ’90s video game villain and the Nicholas Cage movie Ghostrider, so not the scariest Sleepy Hollow monster we’ve ever seen. But I’m fully behind the theory that General Washington was leading a cavalry to the underworld like an utter boss. 5/10 Sandmen for Creepy, 7/10 Golems for WHATHEDAMNHELL.


The day has arrived. Birds are chirping, there’s not a cloud in the sky, and my skin is the clearest it’s ever been. Sleepy Hollow referenced Hamilton. We’ve been waiting in the wings for you.

The integration happened as organically as it could have. The historical society guide at the Revere House tells Ichabbie that attendance numbers have increased along with the public’s hunger for anything having to do with the A-L-E-X-A-N-D-E-R (we are, meant to be). Yes, Crane finally learns of the existence of an Alexander Hamilton stage phenomenon and he thinks the people who made it must be outta their GOD DAMN MINDS.

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Abbie’s face. She saw this coming as clearly and surely as the rest of us. Of course, the rest of us also know that Crane would be the most embarrassing piece of Hamiltrash on the planet if he ever got the chance to see the show. His passion for art and the written word were on full display in that gorgeous monologue he delivered last week, and Hamilton is a shining example of what vision, creativity, and sheer patriotism can produce. TELL me that Chris Jackson wouldn’t bring that sappy bastard to tears with “One Last Time.”

Ichabbie field trip to the Richard Rodgers in Season 4. I need to see Crane’s coif under that A.Ham hat. That’s reason enough to renew the show.

My head canon is that Crane went to soirees at the home of the Schuylers and would always make an effort to engage Peggy in conversation when she looked lonely and ignored. 7.5 Donut Holes for Sassiness. #YayHamlet

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“Please, let this be real.” – Sleepy Hollow Recap – Incident at Stone Manor

leftenant hand

Sleepy Hollow Season 3, Episode 10
“Incident at Stone Manor”
Posted by Sage

I don’t mean to alarm anyone, but it is GOING DOWN AT SLEEPY HOLLOW. Instead of throwing everything at us in its mid-season premiere, the show established a new, sorrowful normal and then waited until the next episode to fully unleash. Sure, the monster-of-the-week is a guy in horns and gray body paint (Fox Mulder, somewhere, smugly: “It’s pronounced ‘gar-goo-eeee.'”), but this. This episode right here is all about Grace Abigail Mills, queen of our hearts and minds, and her escape from yet another metaphysical prison. Tangentially, it’s also about her Biblical life partner, because they’re too co-dependent for even solitary confinement in Sumerian God Jail to keep them apart. The UST is literally burning a hole in my hand right now, so let’s get to the rankings.


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You’re damn right this section comes first for once. Kim wrote beautifully last week about Crane’s increasing desperation in his partner’s absence, accurately describing him as “a man possessed by a singular mission.” That mission? GET ABBIE BACK ALIVE. And though Sophie helped him to gain SOME perspective on keeping up with his other duties, Crane clearly hasn’t lost any of his fervor to retrieve his beloved lieutenant, if the speed with which he constructed that spirit cabinet is any indication. He hangs every last one of this hopes on each method that he tries, so certain that their journey together couldn’t possibly be over. The next tactic is as sane an idea as anything else that’s worked so far on Sleepy Hollow: astral projection. Since Crane has no idea where Abbie might be and thus no way to physically go to her, he and Joenny research a way to loosen the tether between his soul and his body so that the former can go in search of its mate. (See what I did there?)

To assist his soul in finding Abbie’s (as if that thirsty motherfucker needs the help), Jenny has stocked the cabinet with three totems from the Mills family. It’s sort of like giving a police dog a whiff of clothing to get a scent, only much more woo-woo. The items are Grace Dixon’s journal, a necklace that belonged to their mother and then to Jenny, and a lighter that Jenny lifted from their father’s house. I expect that Ezra Mills will appear again before the season is out and in a much more significant way, but Joenny’s light B&E made for an unexpected introduction to the man who left their family. Anyway, the job is just another excuse for Joe and Jenny to do some sexy scheming. With her stealthy fearlessness and his deceivingly boy-next-door handsomeness, they could run this town. They already DO. (P.S. Joey, I’d totally vote for you for the Hot Good Neighbor award or whatever the fuck. In a second.)

Jenny offers to do the ritual instead of Crane, but she’s well aware she’ll be rejected. Crane believes that Miss Jenny could move mountains if she wanted to, but this isn’t about ability. They are the Witnesses. He is responsible. And this is his job. The team lights a candle in the cabinet for his lifeline; once it’s burned completely down, Crane’s soul will be called back. Jenny reads the incantation (“Spirit to its target race…”) and Crane’s head slumps forward. Joe finds a weak but steady pulse, and they leave him to his work.

"Stick with it, okay?" "You try and stop me."

“Stick with it, okay?” “You try and stop me.”

JOENNY SIDE-BAR: I love this dynamic. I love that Jenny keeps trying to push Joey away, and that Joey’s response is always “lolokay.” I love that she challenges him to be scared of her and looks pleased when he’s not. I love that he’s as much of an adrenaline junkie as she is and not turned off by her moodiness. They’re good for each other. And, friendly reminder, also very hot.

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MEANWHILE in god knows where (like literally, the Hidden One knows where), Abbie is having her Jemma Simmons moment. It’s remarkable how much “Incident at Stone Manor” resembles “4,722 Hours,” the SHIELD episode from this season that finally showed fans what Simmons endured while trapped in the monolith. Unlike Simmons, Abbie doesn’t have to hunt for strange food or find water or even rest. She’s not at risk of starvation or dehydration, but she has no pleasures either. It’s a prison of loneliness. Abbie’s enemy in this place is her own madness. She staves it off by collecting data, exploring the area and mapping it on her wall. And she staves it off by talking to Crane, the person whose responses she can most clearly hear in her head. (Hey! It’s finally a good thing that he never shuts up.) In the SHIELD episode, Simmons recorded messages on her phone to her platonic partner-pal who she definitely doesn’t want to kiss ever, Fitz. AND THEN THEY KISSED. Because if sci-fi television has taught me one thing (also, hello Doctor Who‘s “Hell Bent”), it’s that it can sometimes take the universe’s involvement to get your main characters to realize some shit.

Abbie perks up when she begins to hear Crane’s real voice, not just her approximation of it. He’s almost there, but he needs her to remember their bond and hold it in her mind. (She’s like, bitch, what do you think I’ve been doing for ten months?) Finally, he appears, and Abbie looks like a drowning person who just set eyes on dry land. “Please be real, please be real,” she whispers to herself. She charges forward to throw her arms around his neck, and stumbles through the ether. He’s just a projection, quite literally there in spirit. All the tenth Doctor vibes. Did we trip and fall into Bad Wolf Bay? (“I’m still just an image, no touch.”)

So Crane can’t give her the colonial bear hug her heart needs, but he can put some of his translation skills to work. The hieroglyphs on the walls of Abbie’s prison are ancient Sumerian. He begins to read them, but not before Abbie can make him understand how key her faith in him was for her survival. “Thank you, Crane. For never giving up on me,” she says.  He won’t take the praise, turning back to the icons and saying, “I only did as I knew you would had our roles been reversed.” She admits that she imagined speaking with him, and that they even played chess. “Don’t worry, I haven’t completely lost it.” He looks down at her intently, both worried about how long she can hold out on her sanity if they can’t immediately free her and a little flabbergasted at her words.

Pausing on the shippiness for a moment, can I give some love to Nicole Beharie? This is her episode, and she owns it. If genre shows were still viable award contenders, I’d tell her to submit this piece and wait for the trophies to be thrown in her direction. This is such a challenging performance to pull off. Abbie is on the brink of something terrible, but so very trained and determined. If Nicole had held back too much or played it too manic, it would have been a disaster. If anyone who belongs to the voting body of anything, I beg you: DO NOT SLEEP on genre shows, even network ones. There’s work like this being done on them, and attention outside the fandom must be paid. Also, memo to Nicole and the Hair/Make-Up department: keep the natural hair for Abbie, it’s BANGING.

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The walls say that the Eye of Providence is the way out of that place, and great, Abbie has kept it safe. It’s deactivated though, now a dull clear instead of glowing red. Before the Witnesses can begin to work out how to wake it up again, Pandora arrives, having used the pathway that Crane’s soul cleared for her. If they give her the Eye, Pandora offers in trade, she’ll let them come back. She should be aware by now just who the fuck she’s dealing with; no sale, say the witnesses. Pandora is a projection as well and can’t physically threaten Abbie. However. “I can’t touch you,” she says, “but i can touch him.” She takes the cutlass Abbie found out in the wilderness and severs Crane’s tether. His soul is lost, floating free. “There are fates worse than death, Abbie,” Pandora coos. “How long will you be able to stand the solitude?” Abbie can’t help it; she’s crying, all hope seemingly lost, the one person who could find her in this place gone. She makes like she’s going to hand over the Eye, and then smashes it with a rock. Like a boss. “In chess, we call that move a sacrifice. On the face it presents a loss, but in the end, it gives tactical superiority.” Pandora is PISSED, and visibly afraid of going back to face her lov-ah empy-handed. She assures Abbie that she’ll rot, and then she’s gone.

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“There are lines we do not cross” – Sleepy Hollow Recap – Novus Ordo Seclorum


Sleepy Hollow Season 3, Episode 8
“Novus Ordo Seclorum”
Posted by Sage

How the hiatus flies when you’re ignoring your recapping duties, eh? Sleepy Hollow is back and in its new time slot on Friday, February 5. So, I figured, why not dust off a three month old draft and finally organize my thoughts about the mid-season finale, “Novus Ordo Seclorum”? My lateness has now given you a handy catch-up guide to get you in the mood for even more sexy witnessing and demon-catching in upstate NY in 3B. Let’s pretend that was the plan the whole time. To the rankings!


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Last time on The Days Of Our Afterlives, Jenny Mills was possessed and captured by Pandora and her surprise husband, The Hidden One. (I had her pegged as a career singleton, but whatever.) When we see her for the first time in “Novus,” she’s still cooking. The glowing disc that was held by the shard is lighting Jenny up from the inside, and not the same way the love of Little Joey Corbin does it. Pandora and her newly resurrected lover need Jenny as a vessel to achieve their ends. This means that Jenny spends most of this episode writhing around in pain while her captors talk shit on humanity (“The mortals who infest this world care nothing for its beauty.”) and coo about the newly cleansed world they’ll bring about together. Ugh. Couples, amirite?

Naturally, her demon-hunting family springs into action to save Miss Jenny. After she throws some shadeface at her boss (more on that to come), Abbie catches up with Joe and Crane, who are tracking their comrade down. “I’ll take point,” Abbie announces, cocking her gun. Joe and Crane adjust their crotches off-camera probably, and they’re off. Sadly, they miss The Hidden One’s magic act (Scully: “Should we arrest David Copperfield?” Mulder: “Yes we should, but not for this.”) – Jenny levitates in front of him as he sucks out her youthful life force like a Sanderson sister at a bat mitzvah. He takes a break to spare Jenny’s life; suck too fast and she won’t be any good to them any more. (Let that be a lesson to so many of us.) As they search the forest, Abbie throws herself a pity party, blaming herself for Jenny’s predicament. Though, as I mentioned in my last recap, Joey is really at fault for not noticing Nevins’s very conspicuous use of gloves when handling the shard. Crane doesn’t care whose fault it is, he just wants his in-law back. (“The sisters Mills are the closest to family I have left.”) Pandora’s squad disappears as soon as Abbie, Crane, and Joe find them, leaving a ancient cloth decorated in Sumerian writing. Translation: The Hidden One is a god, and lowly mortals are shit outta luck. I’m paraphrasing.

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Knowledge is power, and though Crane and Abbie have a pretty solid idea where Jenny might be being held, they don’t know how to free her from the shard. Joey joins the “what if” party at the archive, where Crane always conveniently has a revolutionary story to go with the MOTW. In Sumerian, The Hidden One is known as Etu Ilu, and the glowing red eye in the center of his staff is the source of his “absolute power.” Once again, the Scoobies are thanking god for books and Crane’s man-crush Ben Franklin (Abbie: “His favorite…”), because those tell them that the red gem was known in Crane’s time as the “Eye Of Providence.” The key to saving Jenny may lie in the Rules Of Masonic Law. The Rules Of Masonic Law lie in the oldest lodge house in the country at the University of Albany. Just past the raging (daytime?) toga party. Which none of you giffed, so you are all dead to me.

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Frat boys dodged and book in hand, Crane tells Abbie and Joe what the Eye Of Providence has to do with General George Washington (riiiiise up). Washington came somehow into possession of the Eye and asked Paul Revere (Joe: “I’m still not used to the way you name drop.”) to examine the staff for him. Revere’s apprentice Jonathan touched the Eye with his bare skin, becoming consumed by it, like Jenny is. With no cure in sight, Jonathan sacrifices himself; he stays in the country, far enough away from the nearest village so that when he blows, his is the only human life lost. If the Eye stays within a human too long, that human essentially becomes a bomb. So, not only is Jennifer Mills in grave danger, but Sleepy Hollow itself is mission critical. A clock is running, but Team Witness doesn’t know when it will stop.

The key to defusing the Jenny-bomb lies in the past. Revere has scribbled Dumas code in the margins of the Masonic text. It says that after the blast (and Jonathan’s death), he was able to “draw out” the eye from the young man’s corpse with the staff. (Abbie: “I really hope you’re about to say, ‘I think I’ve seen that staff before.”) Crane has seen it; on the day that he brought a message and his condolences to Revere at his silver smithy. Revere is broken, which is probably why he allows Crane to see him melting down a strange metallic artifact. Washington had instructed Revere to “hide” the Eye, which he did by changing the staff’s shape: hence, the shard. Here’s where the “what if” comes in: Abbie theorizes that the shard can contain the power of the Eye but it can also mask it. Pandora required Nevins’s services to find it for her. For someone who finds humans so useless, Pandora certainly needed them to do a lot of her evil legwork. Anyway, Abbie heads back to the SHPD to find the shard in evidence lock-up.

Meanwhile, Sophie (remember Sophie?) is interrogating Nevins one last time. Rather, she’s appealing to him. She liked him, she says. Even though she was undercover and he was kind of a dick, she doesn’t think he deserves the shitstorm coming to him if he doesn’t talk to the police. Nevins scoffs, because he’s already dead inside. The police have no jurisdiction in the war that Pandora and The Hidden One are about to start. There’s no real protection they can offer him.

Shard in hand, Abbie runs into Sophie outside the precinct. Abbie asks to be put in a room with Nevins; maybe he can tell her more about how the shard works. But it’s too late; Nevins is already being transferred. Pandora (looking super cute in her FBI kit, I must say) pays him a visit in the perp van. The treasure hunter was right: he’s served his purpose and he knows too much. Pandora chokes him out; when the women get near the van, they find that every officer who was outside when Pandora arrived is dead too. Sophie goes for back-up, Abbie advances, gun drawn.


You’ve got to respect Pandora’s persistence. Abbie just stepped over the bodies of her fallen comrades, but Pandora is still trying to pull her to the side of the immortals. “There is a place for you two witnesses in the new world,” she says. “You have a right, by lineage.” The prospect of eternal life holds no appeal to Abbie, not when her sister is at stake. “That’s beautiful,” Pandora answers. (I LOVE THIS PERFORMANCE.) “That’s family. But I’m sensing something festering. An old wound…you’ve failed her before, haven’t you?” OH, PANDORA. Nice try. Sure, her accusation triggers a flashback to baby Abbie’s denial of Jenny, but the sisters have long since patched up that wound. Jenny forgives Abbie, and that’s all that matters. If anything, the memory of that moment fires Abbie up even more. But before she can say as much to Pandora, Sophie appears. Pandora is gone.

After another exchange with Danny that belongs entirely in the #SassyHollow section, Abbie stocks up on the firepower Team Witness will need to challenge an actual god. (Joe: “I haven’t seen hardware like this since my last tour.”) She grabbed something else when she was looking through Nevins’s things: a book that looks “magical, old…you know, Crane-ish.” It’s a book of summoning spells in Norse and Latin – the words needed to beckon the monsters out of Pandora’s box. Could come in mighty handy, then.

Meanwhile, The Hidden One and Pandora are still doing their thing, making out on top of Jenny and slowly using her up. Frankly, the big bads don’t do much in this episode. Every “check-in” scene is basically the same; and I wish they’d been used a little more thoughtfully. Like, make me fear you, please.

The immortals are at home when Team Witness comes in hot. Armed with actual arms and Pandora’s own magic, they ambush the enemy. Or was the enemy waiting for them? Their resident soldier boy handles the “shock and awe;” Crane goes for the box; and Abbie is on Jenny duty. Pandora calmly greets her “unannounced guests,” coming face-to-face with Abbie in a repeat of their earlier stand-off. “I thought about your offer,” Abbie announces, “and I’m here to tell you that you can go to hell.” Pandora answers that the fate of the Mills sisters is sealed; no use in fighting it. “We’re stubborn that way,” Abbie counters. And then Crane takes Pandora out with a stun gun, because this episode was wild. Then everything happens at once. A grenade knocks the Hidden One away from Jenny. Abbie rushes to her with the shard. Jenny tells her to leave, of course – it’s too dangerous. Abbie will have none of that, thank you (“I’m never leaving you again.”), and uses the shard to pull the Eye’s power out of Jenny’s body. Crane finds the box on a pedestal and begins chanting incantations at it. This confused the hell out of me. What’s Crane trying to call forth? How does he know he’ll be able to control it when he does? Pandora comes to and throws out some counter spells. The box is suspended between them, like that thing in a cartoon where two people are calling a dog at the same time to find out who it likes better. It’s pretty clear that this detour is just a way to get Crane and Pandora away from Jenny and Abbie for a while so happens eventually can happen. It makes no sense and goes nowhere (the box drops back to the pedestal, nothing comes out of it) – a bit of sloppy script-writing in an otherwise cohesive half-season.

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The Hidden One comes to, because what’s a grenade to a god? (“What’s a god to a non-believverrrrr?”) He throws Abbie across the room; Joey shoots at him, but The Hidden One grasps the shard first. He crushes it in one hand, to Abbie’s horror. She scrabbles around for the pieces; they glow in her hand, the walls start to crumble around them. (Jenny: “Abbie, what have you done?”) Abbie suddenly looks calm – completely confident in what she knows she needs to do. “It’s the only way that I can save you,” she says to her sister. Crane sprints into the room just in time to watch Abbie ascend the stairs to Pandora’s tree, trunk open and waiting. He yells her name, she looks over to him. He shakes his head, almost imperceptibly (MY HEART). “Take care of each other,” Abbie instructs, and she disappears into the tree.

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A blast echoes through the chamber. Pandora’s box is destroyed. She and The Hidden One are gone. Crane comes to, to silence. He confirms that his family – Joe and Miss Jenny – are alive, before looking for any sign of Abbie. There is none. The tree has closed. He whispers her name.

My theory: Abbie has already been to purgatory. Now, she’s in Hell. And they better be scared of her. 4/10 Sandmen for creepiness. 8.5/10 Golems for total screaming insanity. #NoMoreAbbieMillsSacrifices2K16

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“Look at me, profiling a bug.” – Sleepy Hollow Recap


Sleepy Hollow Season 3, Episode 6
“This Red Lady From Caribee”
Posted by Sage

Fox announced their winter schedule this week and with it, a change that could really benefit Sleepy Hollow. When the network scheduled the front half of Season 3 to face off against Scandal on Thursdays at nine, we were like “????” Shonda owns Thursday nights, and may her reign be ever merciful. A move to Friday sounds like a death knell to some, but anything’s got to be better than going head-to-head with Olivia Pope. Plus, Fringe held that Friday night slot for several seasons. The X-Files was a Friday night show too, once upon a time. It’s a good-luck spot for genre television. So be chill, fandom. We’ve survived so much worse than this.

On to this week’s rankings!


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Pandora is nothing if not efficient. She came to Sleepy Hollow to do a thing (six things), and six episodes in, she’s checked all the boxes on her list. Pandora needs to teach an organizational effectiveness course, and Moloch needs to take it.

This week, the mysterious lady is tending to the sixth bloom on her tree, “the flavor of fear.” We learn for certain that the blooms themselves are the weapons, or rather, the destructive emotions they represent. The creatures that Pandora conjures from her box are merely the distribution apparatus. And for this bloom, she requires “a most skilled emissary.” She recites a little rhyme and a swarm of red insects appear. They take the shape of a woman (me in my notes: “Carmen Sandiego Bug Lady”) who Pandora names as the “Red Lady From Caribee.” I don’t like bugs, you guys. Even the kind that wear couture. (That costume though.)

Ichabbie’s first brush with the Lady happens in the courthouse on the day that Crane is meant to defend himself from those pesky smuggling charges. As they get closer to the courtroom, they find people fleeing in fear, including Crane’s lawyer. The judge, a man Abbie had just been describing to Crane as calm and just, is ranting from the bench. There’s a criminal element that must be stamped out, he raves. And he lashes out angrily at anyone who suggest he maaaaybe stop hearing cases for the day and take care of those hives that are clearly consuming his body. (Another triumph for the Sleepy make-up department. Y’all are gross, and I love it.) He orders the bailiff to take out her weapon. Crane steps in front of the few people still left in the room (swoon) to speak to the judge. (“Ichabod Crane, for the defense.”) Before he can get much out of him, the man keels over and dies. Crane catches a glimpse of the swarm escaping through a vent and notes it in the ol’ photographic memory.


Back at the archive, Crane and Abbie do their Buffy research on this new threat. The judge died instantly of a brain aneurysm. And the only piece of evidence at the scene was a dead Jack Spaniel wasp, an insect that’s native to the Caribbean. As usual, a detail that just happens to match up to the past sends Crane flipping through Grace Dixon’s journal. She was once called to a military camp in Pennsylvania by Betsy Ross to help tend to a sick and paranoid General Washington. (I’m sure it wasn’t meant in this way, but I still think it’s hilarious that Grace described Betsy instead of naming her. Low-key shade.) The ladies figure that Washington had been bitten by a Soucouyant, a demon “of Trinidadian origin.” Hence the wasp. Grace tends to Washington with a tonic she prepared, but she warns Betsy that it’s not a cure. (Washington: “Dying is easy, young man, living is harder.”) The only cure is to kill the creature itself. Betsy arms up and leaves the tent. And if only these flashbacks could follow Betsy when she goes and does actual heroic things, maybe a) she wouldn’t be so insufferable, and b) Crane and Abbie would know what the sweet Jesus they’re supposed to do in any given situation instead of having to guess.

Abbie gets a call from Danny. There’s another dead body to deal with. This one is a suburban mom – the President of the PTA. She collapsed after checking hundreds of books out of the Sleepy Hollow library and building a pyre for them. Thank you, thank you, thank you, show, for characterizing book burning as a paranoid act. Bless you for this. Funny that Danny warns Abbie that if they can’t put a stop to whatever is causing this mania soon, “they’ll have a big problem” on their hands, re: public panic. This is a SMALL-ASS TOWN. You’re telling me that two healthy, well-respected people went insane and then dropped dead WITHIN THE SAME DAY and people aren’t freaking out yet? Where are the news crews? The other cops? DOES ANYONE CARE? No one outside of Abbie, Crane, and Danny are ever talking about these murders. Sleepy has a problem with scope that could be easily solved by inserting the voice of the town somewhere. May I suggest Perd Hapley as a capable news anchor? He’s got references.

I digress. Abbie pops on the phone to Crane and points out that the swarm is targeting people in positions of power. (“And look at me, profiling a bug.”) Danny returns from inside of the house and his demeanor is markedly different. He snaps at Abbie to get in the car and chastises her for letting her personal life interfere with work when she tells him it was her “roommate” on the phone. He’s driving erratically and questioning her about her motives. He rages that Crane can’t really be a historical consultant (ding ding ding) and that Abbie is obviously out to steal his FBI glory (wrong). Abbie notices a growing hive on his neck and knows immediately what’s up. Danny stops the car in the middle of the woods and drags Abbie out of the front seat, tossing away her phone. And then this happens. I call this move the “Bitch, you thought.”

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The Witnesses keep Danny restrained while they work out Grace Dixon’s stop-gap tonic recipe. (More on the Joenny shopping trip later because the herbalist ships it.) There’s a clock ticking (isn’t there always?), and Danny will perish if they’re not able to find and destroy the Lady within a few hours. To kill a wasp, Abbie reasons, you take out the hive. She pulls up a mapping program and triangulates the locations of the deaths. In the center, there’s a satellite image of a tree that matches the imprint on the back of the Sumerian tablet. A tree with six blossoms. They’ve found Pandora’s home base. Though, being that a huge, twisty, fuck-off tree grew full-size out of nowhere like something out of Into The Woods, they really ought to have been tipped off sooner.


Crane and Abbie descend into some ancient ruins that they’ve never seen before. (HOW? Again: small town. Where are these things hiding?) And I don’t know where or how Crane obtained a canister of prussic acid, but my head already aches from plot inconsistencies. I’ll let it slide. Pandora looks like she’s been waiting for the Witnesses to show up, and she’s as calm as ever. In fact, she thanks them for their service. (“Calling beasts out of the box was easy, you did all the hard work.”) She’s downright complacent watching Abbie destroy the hive and the Lady along with it. The sixth blossom is already blooming, and there’s nothing the Witnesses can do to stop it. “Bear witness,” she purrs, as her tree opens to admit her entrance. She disappears, and it seals back up. Later, Crane notes that trees are often points of entry to the underworld in literature, supporting the theory that Pandora has a boss who’s even more powerful than her. She’ll be back, the Witnesses agree. And they’ll be ready for her. Or them.

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I feel like The X-Files did the bug-person thing better in “Folie A Deux” and that the paranoia and mass-panic angle should have been played up a lot more. There’s a disconnect between Pandora being so content with her work and the fact that we as an audience see no evidence that the mood of the town has changed. 3/10 Sandmen for Creepiness.



The sass-factor was relatively low in this episode. Things to do, bugs to squash. If I weren’t so tired of Zoe already, I’d have more enjoyed Crane and Abbie ribbing each other about their love lives. I’m firmly in the shipper camp of “yes, but not yet,” so I’m good with some platonic relationship talks. Theoretically. But I’m afraid I checked out whenever Zoe was mentioned, because I just don’t think she and Crane are at all compatible. Think about his other WCWs: Betsy, Katrina, and Abbie. One of these things is not like the other, and it’s Zoe’s “i’m just a wittle history fangirl and you’re so smart” thing. Crane wouldn’t respond to that. Not the Crane I know. I do enjoy his consistent weakness for fruity beverages, however.


More of Danny and Abbie’s history was revealed in this episode, and god, finally. Reynolds, you poor bastard. While he’s still suffering the effects of the bite, Danny lets some personal stuff slip to his ex. Personal stuff like he’s still madly in love with her. And god love Grace Abigail Mills, because her reaction isn’t one of shock or guilt. She just hears it and processes it, and continues to do everything she can to save his life. (“Nothing I didn’t already know.”) I’ve liked getting to know Danny so far, but this line brought out some major side-eye:

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Look, buddy. It’s not Abbie’s fault that she’s an actual goddess on earth and that you’re into her. You desiring her isn’t something she’s done to you. Abigail Mills does not string men along, and she does not play games. I’m assuming that she ended things with Danny, and end them she did. If he wants to moon over her forever, that’s his concern. “We’re fine,” Abbie tells Crane about “her” Agent Reynolds. “And he’s not mine.” And vice versa, you fuck.


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